Music to Your Ears
By Summer Olsson
Caravan East Is an Oasis of Atmosphere
We’ve all driven by the huge sign on Central, east of Louisiana, that looks like it’s from ’40s Vegas and promises “Western Dancing” and “Ladies Special Drink Prices.” I passed it countless times before I realized the sign wasn’t just a leftover landmark and there was actually a building to go with it. The country nightclub Caravan East is set back from the street, behind a field of pitted asphalt. Asking acquaintances for details on the place yielded warnings of sleazy characters, grimy ambience and prevalent violence. The general consensus was if you weren’t already a regular, you should not set foot in the place—you’d most likely get your ass kicked.
A sonic exercise aid
By Jessica Cassyle Carr
Music is a workout motivator second only to the thought of looking svelte and fabulous in swimwear. To help you get pumped, Music Editor Jessica Cassyle Carr shares a mix of her old dance party favorites that doesn't involve the shudder-inducing sonic foolishness often found on other workout mixage. Enjoy.
Jazz singer wheels through the gate
By Mel Minter
In the personnel list on his latest album, The Gate (Concord Music), his credit reads: “Kurt Elling—Voice.” It’s an appropriate choice because Elling plays his voice the way an instrumentalist plays his ax.
Reviews of new music releases. Now with MP3 previews!
Flyer on the Wall
Evil Art, Illegible Typeface
See that thing on the left center of this flyer that looks like a fuzzy squiggle? It says “Impaled Offering,” which is the gory name of a metal band playing with Torture Victim, Echoes of Fallen and Loknar at the Launchpad on Monday, April 11, beginning at 8 p.m. ($4 for those 21-and-over). Why some bands choose to create illegible typefaces confuses me more than algebra. (Jessica Cassyle Carr)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Red Canyon Road • country at Caravan East
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