Alibi V.20 No.20 • May 19-25, 2011 ››
The Blue Hornets suit up for a ska-tastic EP release party
Formed after a Giant Steps reunion in 2009—and subsequent nostalgic feelings about playing rocksteady and reggae music—The Blue Hornets hasn’t taken long to become a favorite local band. The nine-member supergroup releases “Selekta EP” on Friday at Launchpad. The Alibi’s Jessica Cassyle Carr spoke with Blue Hornets guitarist and vocalist Otto Barthel about Jamaican genres, the mission of the band’s first album and ska’s fourth wave.
Music in the movies and the movies on music
When summer hits and you’re ready to lounge before the TV and under the swamp cooler, consult my biased list—in no particular order except the order I like—of the best movies about music and show business.
Tenderizor is a thrash noise band from Albuquerque. The five-piece just released its first record, Touch The Sword, and on Monday, May 23, performs at The Kosmos (1715 Fifth Street NW) with Japanese psychedelic rock band / cult Acid Mothers Temple. Vanquishing the format rules of Song Roulette, Tenderizor—collectively—offers random tracks it was jamming on cassette in the van on a West Coast Tour(oar) this spring.
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Flyer on the Wall
For its “last big headlining show,” CanyonLands will be offering a free digital download of its album A Frothing of the Mind. The performance—to which admission is also free—happens at Burt’s Tiki Lounge (313 Gold SW) on Saturday, May 21. Cloud Lantern and The Gatherers provide opening performances beginning around 10 p.m. We assume this squiggly poster art was also created at no cost. (Jessica Cassyle Carr)
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.