Alibi V.20 No.26 • June 30-July 6, 2011 ››
The Alibi’s Group Hug greases up
This month, Alibi Group Hug is celebrating that rebellious marriage of early rhythm and blues with country and Western music. Despite being a nascent form of rock and roll, rockabilly, and its wild, raw, reverberating energy, has endured for six decades. On Saturday, an assembly of New Mexico’s most rockabilly-est citizens will provide their sonic services at the Launchpad.
Where Are My Friends?
Le Tigre and feminism
The nihilistic party of pop and subpop culture rages on. Someone knocked over the lamp, and it sure is dark in here. The embers of lit cigarettes wink in the black. One such ember, Le Tigre, wants to make sure you don't forget. About them. About feminism. About gender-fucking. You know, but with, like, beats and shit.
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Scene and Heard
His Mojo’s So Dope
Cleveland rapper Scott Mescudi (aka Kid Cudi) has been pioneering a style of emotionally raw, singsongy hip-hop ever since the release of his 2008 mix tape, A Kid Named Cudi. His songs are club-friendly, life-celebratory anthems just as often as they are meditative stoner jams. On Saturday, June 25, the man who moonlights as "Mr. Rager" played a show for more than 6,500 folks at Hard Rock Pavilion. The Alibi was there to photograph the event.
Music to Your Ears
Shows worth attending this week are many, but space and time prevents me from giving them all the attention they deserve. Music editor Jessica Cassyle Carr tips her newspaper hat to some personally appealing selections.
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Flyer on the Wall
In light of the fact that parts of the state are on fire, consider not celebrating America with explosives this year. "It just takes that one bottle rocket, that one match, to take out an entire community," Bernalillo County Fire Chief John Garcia told KRQE. Support the boycott here: on.fb.me/fireworksnm. (Jessica Cassyle Carr)
¡Mayday! • Demrick • DJ Stigmata • Septicemia Records • rap, hip-hop
I’m not sure that the concept of “genre” is really relevant anymore in the realm of music. The days of “pure” music are long gone, and while this might leave some “old-heads” grumbling over message boards about the loss of “real rap” or “real jazz,” I think that for the most part this is a good thing. The possibilities are more abundant than ever before as artists dip their fingers in any number of genres and traditions. ¡MAYDAY! is one group embracing this diversity in their quest for success…