On Saturday, July 9, SuperGiant releases its third (mystical, heavy, bitchin’) album Pistol Star, recorded over the past two years with Sid Garcia at Sight 16 Studio. The Alibi was previously unable to cover SuperGiant happenings given the fact that half of the band was employed by the paper. That no longer being the case, below, in our first article on the band, vocalist Joel Rogers discusses equipment, symbolism and the mysteries of existence.
The Alibi Group Hug's Rockabilly Blowout went down Saturday, July 2, at the Launchpad. Acts included Jakob Insane, The Hi-Lo Tones, Cowboys and Indian and The .357s. Pompadours and faux orchids decked the night, with patrons trickling in from the Hot Rod Hop—a burlesque show and movie screening at the KiMo and the vintage car show a few blocks east on Central. By the time Cowboys and Indian hit the stage, the place was packed wall-to-wall. The crowd was swingin’ to rockabilly rhythms into the wee hours. Click below for some rockin’ photos.
California-based Big Sandy & His Fly-Rite Boys are rock and roll with elements of rockabilly, boogie woogie, Western swing, traditional country and fine vocal arrangements. The Rockabilly Hall of Fame members are touring in support of their latest release, Turntable Matinee. They’ll make a long-awaited stop in New Mexico on Friday. The Alibi was able to catch up with Big Sandy via email.
Bears and cheetahs and bears (with silly string or anemone tentacles coming out of their mouths, and it’s on, like, a notebook), oh my! Three truly excellent local bands—The Glass Menageries, Sad Baby Wolf and Phantom Lake—play at Low Spirits (2823 Second Street NW) on Friday, July 8, at 9 p.m. Admission to the 21-and-over show, celebrating the birthday of one Gena, is $5. DJ Dame Diana will preside over interim sonic action. (Jessica Cassyle Carr)
Crystal Castles • electropunk, synth pop, witch house
By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.