SuperGiant’s oracular third creation
By Jessica Cassyle Carr
On Saturday, July 9, SuperGiant releases its third (mystical, heavy, bitchin’) album Pistol Star, recorded over the past two years with Sid Garcia at Sight 16 Studio. The Alibi was previously unable to cover SuperGiant happenings given the fact that half of the band was employed by the paper. That no longer being the case, below, in our first article on the band, vocalist Joel Rogers discusses equipment, symbolism and the mysteries of existence.
Scene and Heard
Rock Around the Clock
By Sam Adams
The Alibi Group Hug's Rockabilly Blowout went down Saturday, July 2, at the Launchpad. Acts included Jakob Insane, The Hi-Lo Tones, Cowboys and Indian and The .357s. Pompadours and faux orchids decked the night, with patrons trickling in from the Hot Rod Hop—a burlesque show and movie screening at the KiMo and the vintage car show a few blocks east on Central. By the time Cowboys and Indian hit the stage, the place was packed wall-to-wall. The crowd was swingin’ to rockabilly rhythms into the wee hours. Click below for some rockin’ photos.
Big Sandy & His Fly-Rite Boys
An interview with the big man himself
By Captain America
California-based Big Sandy & His Fly-Rite Boys are rock and roll with elements of rockabilly, boogie woogie, Western swing, traditional country and fine vocal arrangements. The Rockabilly Hall of Fame members are touring in support of their latest release, Turntable Matinee. They’ll make a long-awaited stop in New Mexico on Friday. The Alibi was able to catch up with Big Sandy via email.
Flyer on the Wall
By Jessica Cassyle Carr
Bears and cheetahs and bears (with silly string or anemone tentacles coming out of their mouths, and it’s on, like, a notebook), oh my! Three truly excellent local bands— The Glass Menageries, Sad Baby Wolf and Phantom Lake—play at Low Spirits (2823 Second Street NW) on Friday, July 8, at 9 p.m. Admission to the 21-and-over show, celebrating the birthday of one Gena, is $5. DJ Dame Diana will preside over interim sonic action. (Jessica Cassyle Carr)
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Kirra (OK) • rock • Bella Amore • Drink Me • Modus Operandi • Swylt at Duke City Sound Stage
Darren Moore • comedy at SkyLight
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