Alibi V.20 No.31 • Aug 4-10, 2011 
Buck 65 and a dirt bike. A real one.

Spotlight

Buck 65

Canadian rapper discusses day jobs, pretty hip-hop songs and his love of Albuquerque

Buck 65 has created hip-hop music under the mainstream radar for more than two decades. Originally from Mount Uniacke, Nova Scotia, he taught himself to rap and DJ, then started recording in his bedroom. He’s earned a reputation for disregarding genre limitations. Buck 65, whose given name is Richard Terfry, raps over violins, collaborates with female vocalists in French, makes whole verses by cutting in single-word samples with turntables and does pretty much anything else he wants to. His new album, 20 Odd Years, is a tribute and testament to his life in music so far. Its 12 tracks, many of which were co-written and recorded with different collaborators, have snappy beats and smart lyrics. They also have lovely melodies, nods to multiple styles and equal parts of melancholy reflection and playful quirkiness. The Alibi called Terfry at his home in Toronto, during a few days off in the middle of his tour.

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Behold the Curly Musgrave Stage

Show Up!

Yippee-i-o

Placitas' cozy campfire concerts

There are lawn chairs strewn across a sandy field, the sunset in front of you, Sandia Mountains behind you, people with picnic baskets, gourmet takeout, wine bottles and blankets. A singer stands on a trailer-turned-stage that’s painted to look like the New Mexican desert, complete with cacti and mountains against a blue sky. This is the Placitas Campfire Series.

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[click to enlarge]

Flyer on the Wall

Feelers

Octopus imagery has reached meme status (while the meme has attained metameme status), but for good reason. Octopi posses eye-catching beauty, and the biology, behaviors and diversity of these aquatic creatures are just as mesmerizing. With the mighty, eight-tentacled invertebrate mascot on their side, three locals— Ghost Circles, Molat The Tank and Waiting For Satellites—fill Burt’s Tiki Lounge (313 Gold SW) on Friday, Aug. 5, around 10 p.m. (Jessica Cassyle Carr)

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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