Cosmic synth pop act embarks upon its maiden voyage
By Samantha Anne Scott
Hyperland wants to take you on an intergalactic pleasure cruise. The Alibi was alerted to the synth pop duo's celestial plans via a colorful in-flight manual delivered to our music desk. The band releases its six-song EP on Tuesday, Oct. 18, but Burqueños can experience “Tomorrow, Today” at the band's live debut on Saturday.
Hailing from Rotterdam, virtuoso trumpeter Eric Vloeimans (pronounced “Vlouie-mans”), like many of his jazz-playing countrymen, brings a good-natured swagger and cheery fearlessness to the music. Thursday at the Outpost, his quartet Gatecrash will windmill its way through engaging original compositions.
They don’t have fireworks, a giant inflatable penis or any of the other spectacular bullshit of a major-label tour. Albuquerque’s A Hawk & A Hacksaw, Minneapolis’ Dark Dark Dark, and Chicago’s Pillars and Tongues don’t even have a name for their tour.
They do have an unusual collection of instruments, two vans and the ability to reshape time, although they accomplish that in different ways. The three groups will be altering perceptions at the South Broadway Cultural Center on Friday in an all-ages concert produced by AH&AH accordionist Jeremy Barnes.
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
By August March
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.