Joyful Altruistic Metaphysical Ageless Lover Seeks Knowledge Internally
By Geoffrey Plant
Jamalski is an internationally known MC who helped pioneer the reggae/hip-hop crossover genre both as a member of the Boogie Down Productions crew and as a prolific solo artist with hits such as “Jump, Spread Out.” His accomplished beats cover the gamut of hip-hop and dance styles. As long as it’s an underground scene, Jamalski’s into it. After spending most of the past decade living and playing in Europe, last year Jamalski moved his headquarters back to his hometown, New York City, and has adopted Albuquerque as his secondary base of U.S. operations. The Alibi spoke with him over the phone.
The Jazz Gospel According to Charlie Christian
Michael Anthony, Bobby Shew and friends celebrate guitarist’s innovations
By Mel Minter
Using a newfangled contraption, the electric guitar, and a mesmerizing facility for improvisation, Charlie Christian, born in 1916, helped transform the role of the guitar in jazz. The Oklahoma City native first made his mark in the swing era, joining Benny Goodman’s sextet and orchestra in 1939. (As the third black man hired by Goodman, he helped bury bandstand segregation.) He then helped transform jazz itself, collaborating with the likes of Dizzy Gillespie, Charlie Parker and Thelonious Monk as they worked out the rules of a brand-new musical language: bebop. He managed to accomplish all of this in just 25 years, passing away in 1942, a victim of tuberculosis.
Flyer on the Wall
Sult (Norwegian electro acoustic improv), Brachiator (experimental sounds by New Mexico’s Mark Weaver, Ben Wright and Christian Pincock), Alchemical Burn vs. AGL (drone competition) and DJ Caterwaul (vinyl records) constitute a far-out show at Moldspores (923 11th Street NW) on Sunday, March 4, at 7 p.m. Admission is $5 and all ages are welcome. (Jessica Cassyle Carr)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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