The Alibi is honored to have the legendary Al Hurricane playing at the ¡Taco USA Party! on Wednesday. If you’re not familiar with el hombre, get to know him from facts compiled with the help of Al Hurricane Jr.
Albuquerque’s L.M. Dupli-cation reissues John Jacob Niles’ iconic home recordings
By Mel Minter
The voice—reedy, urgent, ethereal and strong—summons centuries of memory and suspends time in the space of a song. Love, jealousy, longing, fear and remorse take on an almost physical presence, and fabled characters first conjured in song ages ago, in hovels choked with peat smoke, crowd the imagination.
As countless sci-fi flicks illustrate, messing with the space-time continuum often leaves a traveler in a place they don't recognize as their desired destination. The Time Machine, Shoulder Voices' fourth full-length album, was catalyzed by Little Bobby Tucker's desire to move past a decade-old heartache.
Young folks who have a way with words can have their way with the mic on Saturday, April 14, at Warehouse 508 (508 First Street NW). Admission to witness this lyrical competition is $5, or $8 for two, while it’s $10 to get into the battle. Winners earn a $300 cash prize. Festivities commence at 5 p.m. Call 410-2938 for more info. (Jessica Cassyle Carr)
Crystal Castles • electropunk, synth pop, witch house
By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.