Alibi V.21 No.16 • April 19-25, 2012 ››
Indiegrass songstress Sage Harrington
Americana is the new punk rock. Like the early ’80s when any yob with a snarl and electric guitar called themselves punk, anyone today that has a thrift store banjo and name drops the Carter Family thinks they are folk musicians, deserving of serious listening and dollar-per-song downloads. Wrong.
Talkin’ Semantic Rhetorical Terminological Blues
The roots of bluegrass
At a concert this Friday evening at the South Broadway Cultural Center, Blaine Sprouse, Peter Feldmann and Wayne Shrubsall will explore the origins of bluegrass, a genre that hasn’t been around that long, but that’s deeply linked to the ancient, weird, anonymous music sometimes called folk. The idea behind the show is to explore how old-time traditional music from Appalachia, along with elements from gospel and jazz, evolved into the musical form pioneered by Bill Monroe and his Bluegrass Boys in the mid-’40s.
Music to Your Ears
When she started working on her new album, Green, vocalist and activist Barbara Bentree just wanted to do an album of songs she loves. Then, while considering the purchase of a hybrid auto, she began to ruminate on the effort required to go green—from separating your trash to retrofitting a house with solar panels. Suddenly, Kermit’s song “Bein’ Green” took on new meaning, and Bentree decided to “look at traditional songs through an environmental lens.” With a lovely, clear, well-pitched voice that has a charming girlishness in the upper registers and a pleasing touch of sweetness throughout, Bentree walks a line between wonder and warning. With pop, jazz, Brazilian and new age touches in sterling arrangements by John Rangel, who appears on piano and synth, the nine tracks feature fine work by Marcos Cavalcante (guitar) and Joel Fadness (drums). Drummer Dave Libman guests on “The Planet Song,” an intriguing anthem by Wen Mull that’s full of synth magic. The album—nominated for six New Mexico Music Awards—entertains while raising awareness, with all revenues from CD sales going to the Natural Resources Defense Council, PETA, GreenPeace, the Sierra Club and Bioneers. The album release concert, appropriately scheduled for Earth Day, will feature Rangel, Cavalcante and Fadness, along with the Rio Grande School choir.
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Flyer on the Wall
Acid King, SuperGiant, Anesthesia, Shadow and Ash, Torture Victim, Skulldron, The Conjuring, and Jah Branch converge at the Launchpad (618 Central SW) on Saturday, April 21. The all-ages, metal-heavy fest—hosted by Burque smoke shop / tattoo and piercing salon / gift emporium The Zone—starts at 6 p.m. Tenderizor joins in for a 21-and-over after-show. Tickets are $10. (Jessica Cassyle Carr)
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?