Alibi V.21 No.24 • June 14-20, 2012 ››
The Final Sting
Germany’s foremost rock export performs one last high kick
For more than 40 years, Scorpions' career has spanned a vast breadth over rockin' rock’s subgenres. The band pioneered or played deftly through proto-metal, ’70s anthem rock, regrettable ’80s hair metal and the urgent whisper that is the power ballad. Now, after taking other bands to school for decades, the Scorpions makes one last pass across the world before calling it quits. The “Final Sting Tour” will be filling face holes in Albuquerque on Thursday at the Hard Rock Pavilion.
Music to Your Ears
Though Santa Fe de Nuevo México became a territory of the United States in 1850, six decades passed before it was finally anointed 47th state. Despite ongoing union-joining efforts on the part of the citizenry, the lapse was due to federal government reluctance—the inhabitants here were seen as uncivilized and just not quite Anglo enough—but in 1912 the state was judged adequately assimilated. This January, New Mexico observed its statehood centennial, and fiestas will continue throughout the year. One of the biggest will be effervescing in Downtown Albuquerque this weekend.
This week Mel Minter listened to the Chris Greene Quartet, Grégoire Maret and Jonathan Blake.
[click to enlarge]
Flyer on the Wall
Gyrations, Undulations, Isolations
Here are some tried and true flyer techniques—mirroring and vintage photography—calling attention to a jangly, ruffled, bubbly evening. See the Roustabout Art Collective and Santa Fe’s Masnavi Dance Collective perform feats of belly dance on Marble Brewery’s patio stage (111 Marble NW). It happens on Friday, June 15, from 8 to 11:30 p.m. with a suggested $5 donation for performers. (JCC)
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?