The Final Sting
Germany’s foremost rock export performs one last high kick
By Clifford Grindstaff
For more than 40 years, Scorpions' career has spanned a vast breadth over rockin' rock’s subgenres. The band pioneered or played deftly through proto-metal, ’70s anthem rock, regrettable ’80s hair metal and the urgent whisper that is the power ballad. Now, after taking other bands to school for decades, the Scorpions makes one last pass across the world before calling it quits. The “Final Sting Tour” will be filling face holes in Albuquerque on Thursday at the Hard Rock Pavilion.
Music to Your Ears
By Jessica Cassyle Carr
Though Santa Fe de Nuevo México became a territory of the United States in 1850, six decades passed before it was finally anointed 47th state. Despite ongoing union-joining efforts on the part of the citizenry, the lapse was due to federal government reluctance—the inhabitants here were seen as uncivilized and just not quite Anglo enough—but in 1912 the state was judged adequately assimilated. This January, New Mexico observed its statehood centennial, and fiestas will continue throughout the year. One of the biggest will be effervescing in Downtown Albuquerque this weekend.
This week Mel Minter listened to the Chris Greene Quartet, Grégoire Maret and Jonathan Blake.
Flyer on the Wall
Gyrations, Undulations, Isolations
Here are some tried and true flyer techniques—mirroring and vintage photography—calling attention to a jangly, ruffled, bubbly evening. See the Roustabout Art Collective and Santa Fe’s Masnavi Dance Collective perform feats of belly dance on Marble Brewery’s patio stage (111 Marble NW). It happens on Friday, June 15, from 8 to 11:30 p.m. with a suggested $5 donation for performers. (JCC)
T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda
By August March
Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
Kurt Travis • alternative rock • Eidola • Amarrionette
By Megan Reneau
I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk
By August March
I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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Seth Hoffman • folk, acoustic • Temporary Tattoos • folk, acoustic rock at Kelly’s Brew Pub
Steve Kinabrew • acoustic solo at Molly's Bar
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