Jack Tatum’s indie pop revival
By Jessica Cassyle Carr
Wild Nothing is a one-man project of Brooklynite and Williamsburg, Va. native Jack Tatum. His music unapologetically harkens the twinkling melancholy of ’80s Britpop song and production qualities. In advance of a show at the Sunshine with Beach House, Tatum spoke with the Alibi about past, present and the definition of pop.
Music to Your Ears
By Jessica Cassyle Carr
It’s the child of country and Western and rhythm and blues, the hell-raising brother of rock and roll. Rockabilly roared into its own in the mid-’50s. Its rise was propelled by Sun Records owner Sam Phillips and his work with Elvis, which essentially repackaged a black sound for a white audience. Sixty years later, outfits here in Albuquerque keep that music alive—the acoustic slap bass, the electric guitar twang and the big, jumping beat.
Flyer on the Wall
Read about this five-way festo in the Club Calendar write up. Why the dualism? Because this flyer, and another flyer for the show, were the only good ones submitted this week. Nice work, noise people; I hope everyone fully enjoys that which you’ve promoted so artfully. Make more poster art, everyone else. (JCC)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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