Alibi V.21 No.35 • Aug 30-Sept 5, 2012 
Andy Lutz, Steve Hammond and Noah Wolters

Spotlight

Leeches of Lore R.I.P. It Up

Hammond ventures to Old Mexico

It’s the end of an era for this twang-and-thrash trio. The Alibi chatted by phone with frontman Steve Hammond in his Nob Hill home before he rushed off to Leeches of Lorchestra practice.
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Music to Your Ears

The Art of Alibi

This month marks 20 years of newspapering in New Mexico on the part of this mighty alternative publication. In that time, the Alibi has fostered the creation of copious art, including 1,002 covers and counting. To celebrate the milestone we decided to mull over the corpulent archives and curate a little show that looks back on two decades. Along with the collection of our favorite covers, other mementoes and office curiosities will be sprinkled in for good measure. Find out just how hostile staffers can become when someone takes the last of the coffee and neglects to make more.

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Sad Baby Wolf
Megan Ward and Jennifer Parks

Song Roulette

Marty Crandall’s Random Tracks

Marty Crandall is the vocalist and one of three guitarists in Albuquerque shoegaze quintet Sad Baby Wolf. The band includes fellow ex-Shin Neal Langford, Marty’s brother Maury Crandall (ex-Giranimals), Sean McCullough (ex-Oktober People) and Jason Ward (ex-Starsky). On Friday, Aug. 31, Sad Baby Wolf observes its tour kickoff with a show at Low Spirits (2823 Second Street NW). CanyonLands and The Deadtown Lovers play the opening spots at the 21-and-over event.

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[click to enlarge]

Flyer on the Wall

Adiós

Leeches of Lore as ¡Three Amigos!—excellente. (JCC)

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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