Alibi V.21 No.35 • Aug 30-Sept 5, 2012 ››
Leeches of Lore R.I.P. It Up
Hammond ventures to Old Mexico
It’s the end of an era for this twang-and-thrash trio. The Alibi chatted by phone with frontman Steve Hammond in his Nob Hill home before he rushed off to Leeches of Lorchestra practice.
Music to Your Ears
The Art of Alibi
This month marks 20 years of newspapering in New Mexico on the part of this mighty alternative publication. In that time, the Alibi has fostered the creation of copious art, including 1,002 covers and counting. To celebrate the milestone we decided to mull over the corpulent archives and curate a little show that looks back on two decades. Along with the collection of our favorite covers, other mementoes and office curiosities will be sprinkled in for good measure. Find out just how hostile staffers can become when someone takes the last of the coffee and neglects to make more.
Megan Ward and Jennifer Parks
Marty Crandall’s Random Tracks
Marty Crandall is the vocalist and one of three guitarists in Albuquerque shoegaze quintet Sad Baby Wolf. The band includes fellow ex-Shin Neal Langford, Marty’s brother Maury Crandall (ex-Giranimals), Sean McCullough (ex-Oktober People) and Jason Ward (ex-Starsky). On Friday, Aug. 31, Sad Baby Wolf observes its tour kickoff with a show at Low Spirits (2823 Second Street NW). CanyonLands and The Deadtown Lovers play the opening spots at the 21-and-over event.
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.