The Doors of Connection
Access blues, EDM, punk and mathy prog rock
Artists and bands repping English house, Malian blues, El Lay-via-Mexico punk and SoCal prog rock make the Albuquerque scene this week. Show Up! has all the deets plus A/V.
The Devil and David J. Haskins
Bauhaus bassist takes on crossroads magic
Bauhaus bassist David J. Haskins’ new tome Who Killed Mr. Moonlight? recalls the nascent goth scene, sex, drugs, automatic writing and more. August March previews Haskins’ autobiographical journey from flat field to hollow hills and back again.
This week we listened to new and forthcoming releases by Le Butcherettes, Melvins and mr. Gnome.
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.