Alibi V.14 No.40 • Oct 6-12, 2005 

Music to Your Ears

More Music for Katrina—A whole slew of New Mexico arts and music organizations have banded together for another benefit concert in the name of Hurricane Katrina's victims. Titled "Chicory and Chile," the show will feature a huge variety of performances from 7 to 10:30 p.m. at the historic KiMo Theatre this Friday, Oct. 7. Admission is free, but any donations you can afford will go on to benefit three very worthy causes: The American Red Cross, Gulf Coast Musicians and the Humane Society of the United States. Performers include Bayou Seco, Priscilla Baca y Candelaria, Christian Orellana, Jenny Bird, classical composer Rahim Al Haj, Tony Rio & Voodoo Chili, Danny Solis and the 2005 National Poetry Slam Championship Team, Bonnie Bluhm and Alisa Valdes-Rodriguez, author of The Dirty Girl's Social Club. For more information, log on to abqmusic.com.

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Magni-Quiz

Halfnormal

with Alchemical Burn, Cobra//group and AGL

Thursday, Oct. 6; Wherehouse, (all-ages), $5: Noise musicians Raven Chacon (composer, founder of the local experimental improv collective Cobra//group and a former Albuquerque resident) and Bob Bellerue (Los Angeles "noise artist"), also known as Halfnormal, will visit Albuquerque this week on their West Coast Noise Tour. Halfnormal and others in the field create a type of music that is both aural and physical, as well as detrimental to your hearing, with a myriad of homemade instruments like theremin guitars and gutted pianos (and some moogs, I'm guessing). Being old pals (sort of), me and Raven recently had a ding-a-ling of a chitty chat.

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Show Up!

The Adicts

The year was 1975 and somewhere in Ipswich, England, four guys with nothing better to do decided to make some music, never knowing they would eventually make musical history as the longest-surviving punk band out there.

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Music Magnified

Wolf Eyes

with Prurient, Alchemical Burn and Manhole

Sunday, Oct. 9; the Launchpad (21-and-over), $7: If you ever find yourself lying in bed, unable to get up and worried that you'll spend the entire day under the covers, grab your CD player remote and put on Wolf Eyes' Burned Mind. After a few moments, your new thought process should be something like: "I can't lay here all day. I've got to get up and stab someone in the throat!" Using homemade instruments/noise-producing contraptions, Wolf Eyes works in the medium of textural sound to produce tangible feelings of pain, anxiety and impending doom. As tense as the record makes you feel, there is something strangely cathartic about listening to 70 minutes of continually pulsating racket. This isn't music to get the party started. (Unless your party revolves around ritual suicide.) It's a demonic sermon or perhaps a sadistic wake-up call. The Ann Arbor trio was fortunate to be recognized by leading independent label Sub Pop as more than just adroit noisesters. Wolf Eyes has somehow managed to combine musical extremism with something that even rock purists can get wound up about. I start to tense up when I think about what a live Wolf Eyes show might be like; even listening to Burned Mind on low volume can make me break into a sweat. A few things are for certain; it will be loud, grating and a true sight to behold.

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Sonic Reducer

DirtHeadz DirtHeadz Presents: The Movement (Dirthead Productions)

They may never receive the heavy rotation of hip-hop heavyweights like Jay Z or Kanye West, but the Dirtheadz' latest release is about as commercially viable as underground hip-hop can get. The Movement has the high-pitched hooks and unflinching swagger that characterizes so much of popular rap today. But the record amounts to more than music for the masses. The track "No Names With Names" in particular merits critical as well as widespread approbation for its combination of immediate likability and salient flows. Give Kanye's Late Registration a break and check out what the Dirtheadz have to offer.

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Flyer on the Wall

Sunday, Oct. 9, Sol Arts

Latin surf/jazz combo Rio Duende will perform alongside a vintage cartoon screening at 7 p.m. $5 gets you in, popcorn included. (LM)

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Spotlight

Rock Outside the Box Volume 2

Nate Smith gets his pie manhandled in the name of local music

It's been more than two years since the Rock Outside the Box compilation ripped 14 up-and-comers from the streets of downtown Albuquerque and crammed them into one precocious little jewel case. The album was organized by Feels Like Sunday guitarist Nate Smith. He says he did it to "promote unity in the scene." At the time of its release, our own Michael Henningsen said, "Not since Socyermom's Ouch! compilation has a collection of songs by local bands struck such a bright glimmer of hope."

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Image via Pixabay

EVENT HORIZON ()

The Ship is Dockin', Interlockin'

17th Annual Breakin' Hearts • Shuga Shane • Element • Knucklehead Zoo • Randy Boogie • Foundations of Freedom • Chief Rocekrz • BZ Beatz • hip-hop

Education, competition and reflection are the themes of the 17th annual Breakin' Hearts Festival, a four day hip-hop party right here in Albuquerque. Featuring regionally known artists, advocates and other interested parties, the main event for this spectacular get down is going down on Saturday, Feb. 23 at the Historic El Rey Theater from noon until 10pm. Preceded by nightly dances and educational opportunities galore, Saturday night's event is hosted by Shuga Shane UHF/XFRX and Speed One and features the renowned DJs Element, Randy B and BZ Beats. Besides Beatbox and breakin' battles, a freestyle dance competition and a Blackbook contest, with performances by Def-i, LETSJUSB, Gravity, Jessica Lopez and Carlos Contreras. All-ages are welcome at this event—it's $20 at the door and $15 in advance from Vibes Dance Studio. Get your body movin' today before that sauce recipe disappears into the vault again.
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Image courtesy of the artist

EVENT HORIZON ()

Slide That Chord, Dude!

Roosevelt Collier • pedal steel

AMP Concerts presents a concert by pedal steel guitarist Roosevelt Collier at The Cooperage on Sunday, Feb. 24 at 7:30pm. Collier is considered the master of a traditional approach to an instrument that's become familiar to American ears through every sorta sound from straight Country and Western to rocanrol and even indie bands. The artist's slide-style playing is lightning fast and gorgeously executed with a twang and twist. He's jammed with the Allman Brothers, Los Lobos and Tedeschi-Trucks; his latest recording was produced by by Michael League, one of David Crosby's current collaborators. In summary, this show is going to rock out, so be there. Tickets are only $17 in advance and $22 the day of the show. It's an intimate venue replete with meat and cocktails—which means this is a 21+ gig—and you are guaranteed to walk away with a shiny spot in your head that will only disappear with repeated exposure to songs like “Far Away Eyes.”
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