Alibi V.15 No.10 • March 9-15, 2006 

Music to Your Ears

The Ban Got the Boot—As if we didn't already know, the Mayor Marty Chavez-backed proposal to ban alcohol sales at all-ages show was going down the second it was announced. The “Scene Killer” didn't kill much of anything. The new regulations adopted by the Alcohol and Gaming Division, which will go into effect in April, require that venues selling alcohol at all-ages shows must have a seprate drinking area where minors aren't allowed, something most venues do already. It took some legwork, it took some real scene-wide love, but it was worth every bit. The all-ages scene still lives.

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Sonic Reducer

The M's Future Women · NOFX Never Trust a Hippie · Matchbook Romance Voices

The debut release from Chicago's The M's is glam rock that doesn't have to rely on pure parody for its pop charisma. The well-dressed quartet comes dangerously close to Jet-esque style-over-substance hooks, but those are quickly reeled in by substantive verses that are often more like The Arcade Fire than retro-rock. There are some soft spots like the overly chaotic "Mansion" but, for the most part, The M's have created a substantive, danceable and catchy (without being overly so) record that shows as much promise as it does maturity.

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Flyer on the Wall

Who?

It's up-and-coming trio Devil Riding Shotgun with Underdog and Bonebag! 8:30 p.m. at Puccini's Golden West Saloon. $5 gets you in, but you must be at least 21 years of age to party. (LM)

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Spotlight

Daddy Long Loin

The "One Man Big Band" who's definitely not a gimmick

Kevin Kinane (aka Daddy Long Loin) spends his days playing and teaching music to kids at the Children's Psychiatric Center and working with youngsters at various schools around the city. By night, the Daddy's one-man performance comes complete with drums, harmonica, keyboard, live sampling and a bass/guitar combo instrument known as the Chapman Stick. The Frank Zappa- and Primus-inspired musician has released several albums with exclusively loin-oriented titles (such as Wrong Place, Loin Time), and his live performances, as he says, must be seen to be believed.

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Wes Naman

Show Up!

RaShaan Houston Single Release Party

Fireball 2006 at Pulse

Finally—a place to wear my ripped-up vintage fire engine-red leather jacket. And just when I thought all hope was lost. ...

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Music Magnified

Dirty Dozen Brass Band

with Felonious Groove Foundation

Thursday, March 9, Launchpad (21-and-over); $15: Imagine you're in high school (this may be harder for some than others) and your football team has just ended the first half down 35 to 3. As you sit in the stands wondering if you should cut your losses and go home, the marching band starts to play. At first, it seems like an ordinary halftime performance, but there seems to be some extra pep in the band's collective step. All of a sudden, the band steps onto the field and begins to play a New Orleans-style jazz romp complete with flugelhorn, tambourine and full-fledged hip swaying. By now you're thinking, “I wish this band could play all damn night long!”

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Music Magnified

Grand Funk Railroad and Foghat

Saturday, March 11, Route 66 Casino (all-ages): Where else can you hear “My Captain” and “Slow Ride” on the same night? I mean, besides the Buzzard, Arrow 102.5, 94 Rock and probably some AM stations somewhere along the dial. But the only place to hear these classic rock gems live on the same night is at the Route 66 Casino on Saturday. It appears that neither Grand Funk Railroad nor Foghat has updated their websites in the last half-decade or so, but the most recent photos and info seem to indicate that both bands have retained most of their original members who, aside from a little weight gain, seem able as ever to rock out with the best of them. (Them, of course, refers to the other casino-frequenting groups.) So, Saturday night, if you're feeling nostalgic or you just want to hear Buzzard-esque tunes without the gravelly voiced DJ making you increasingly irritated, come on down to Route 66 Casino and check out some rock legends (or what's left of them).

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Image via Pixabay

EVENT HORIZON ()

The Ship is Dockin', Interlockin'

17th Annual Breakin' Hearts • Shuga Shane • Element • Knucklehead Zoo • Randy Boogie • Foundations of Freedom • Chief Rocekrz • BZ Beatz • hip-hop

Education, competition and reflection are the themes of the 17th annual Breakin' Hearts Festival, a four day hip-hop party right here in Albuquerque. Featuring regionally known artists, advocates and other interested parties, the main event for this spectacular get down is going down on Saturday, Feb. 23 at the Historic El Rey Theater from 12pm until 10pm. Preceded by nightly dances and educational opportunities galore, Saturday night's event is hosted by Shuga Shane UHF/XFRX and Speed One and features the renowned DJs Element, Randy B and BZ Beats. Besides Beatbox and breakin' battles, a freestyle dance competition and a Blackbook contest, with performances by Def-i, LETSJUSB, Gravity, Jessica Lopez and Carlos Contreras. All-ages are welcome at this event—it's $20 at the door and $15 in advance from Vibes Dance Studio. Get your body movin' today before that sauce recipe disappears into the vault again.
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Image courtesy of the artist

EVENT HORIZON ()

Slide That Chord, Dude!

Roosevelt Collier • pedal steel

AMP Concerts presents a concert by pedal steel guitarist Roosevelt Collier at The Cooperage on Sunday, Feb. 24 at 7:30pm. Collier is considered the master of a traditional approach to an instrument that's become familiar to American ears through every sorta sound from straight Country and Western to rocanrol and even indie bands. The artist's slide-style playing is lightning fast and gorgeously executed with a twang and twist. He's jammed with the Allman Brothers, Los Lobos and Tedeschi-Trucks; his latest recording was produced by by Michael League, one of David Crosby's current collaborators. In summary, this show is going to rock out, so be there. Tickets are only $17 in advance and $22 the day of the show. It's an intimate venue replete with meat and cocktails—which means this is a 21+ gig—and you are guaranteed to walk away with a shiny spot in your head that will only disappear with repeated exposure to songs like “Far Away Eyes.”
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