Alibi V.15 No.23 • June 8-14, 2006 
Glenn Kostur takes you to school.

Music to Your Ears

Love Letters to Warped Tour--Spending Fourth of July weekend under the blistering sun of Las Cruces sounds ... well, bad. But what if you just happened to be at Warped Tour, in the presence of 60 of your most revered alternative teen-dream bands? Like AFI and Anti-Flag, Bouncing Souls, NOFX, Saves The Day and Senses Fail? The Casualties? Better? OK, how about this: What if you and a friend didn't have to wait in line, got in for free and gained special access to the tour's VIP backstage barbecue?

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Glenn Kostur takes you to school.

Spotlight

Saxophonist Glenn Kostur Airs It Out with Trifling

Concert/CD release party at the Albuquerque Museum

When saxophonist Glenn Kostur first arrived in Albuquerque 11 years ago, coming in from Chicago to head up the Jazz Studies program at UNM, the thin air got to him. When he played, he’d find himself running out of gas about a measure and a half before he reached the end of his musical idea.

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Music Magnified

Hyperactive Music Festival

Thursday-Saturday, June 8-10, at 20 Downtown Venues (both 21-and-over and all-ages); $24.95 or $10: With 140 indie bands and dozens of industry panelists, the first-ever Hyperactive Music Festival is like a three-day indie fantasy camp. Festival Director Jenny Gamble says she and Executive Director Allison Shaw wanted to create a music festival that was patterned after Austin’s now world-famous South by Southwest. “We wanted to put something together that could educate local bands on how to do everything from put a press kit together to how to tour or where to go from there,” explains Gamble. “We also agree with the mayor in that we, too, don’t want to keep saying, ‘Albuquerque should be more like Austin,’ and instead in five years have people in other cities saying, ‘We should be more like Albuquerque.’”

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You’ll see her standing there at Pridefest.

Show Up!

Children, Behave

'80s pop star Tiffany performs at Pridefest

In the late ’80s, I religiously watched ABC’s TGIF, a block of four situational comedies (in 1988 it was “Perfect Strangers,” “Full House,” “Mr. Belvedere” and “Just the Ten of Us”). While I found the three slutty daughters on “Just the Ten of Us” appealing, and enjoyed the foreigner humor of “Perfect Strangers” and “Mr. Belvedere,” “Full House” was the favorite--with its relatable characters, it was probably every 8-year-old’s favorite.

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Demon’s Claws: Welcome to the jungle

Music Magnified

Demon’s Claws

with The Dirty Novels and BBQ

Monday, June 12, Burt’s Tiki Lounge (21-and-over); free: Built on tremolo-laden distorted guitars, simplistic drum beats and unintelligible vocal wailings, Montreal’s Demon’s Claws are another band out to prove that Sex Pistols-era punk and Willows-style garage rock were made for one another.

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Flyer on the Wall

Skullz

Ishen Tree, All She Wrote, Long Time Dead and Devil Riding Shotgun want yours. Friday, June 9, at Puccini's Golden West Saloon (21-and-over). $5. (LM)

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Sonic Reducer

Dr. Octagon The Return of Dr. Octagon · The Watson Twins Southern Manners · The Stills Without Feathers

Here’s another awesomely warped album from former Bellevue psych patient Dr. Octagon, aka Kool Keith, aka Dr. Dooom, aka Rhythm X ... etc. This new installment of hip-hop insanity features the totally bitchin’ Princess Superstar, DJ Dexter Fabay, plus all of the anatomical filth, nonsensical raps and deranged tempo changes you’ve come to expect, just in time for summer. Catch the fever!

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Image courtesy of Epitaph Records

EVENT HORIZON ()

The Descent of Punk: This Age or That

Descendents • Radkey • Hagfish • punk

Now, on the other hand—and as opposed to your parent's music which you claim to have no knowledge of whatsoever—you probably have heard of the Descendents. The quartet from the beautiful yet threatening beach is ripping it up at Sunshine Theater on Friday, Nov. 16 at 8pm. The band claims rights to a lineage of punk rock from the OC and surrounding area that pretty much branched off from hardcore units in the early '90s to produce a more pop-flavored, personally emotional form of the genre. Their brand of music heavily influenced monstrosities like Jimmy Eat World and Blink-182 as well as perhaps birthing the ultimate in abysmal entities, a thing we'll call emo for the sake of convenience. But before they did profound damage to millions of Californios and as-of-then unborn potential rockers, they did produce some pretty epic songs. Besides that, their front man, Milo Auckerman and his compadres, Bill Stevenson, Karl Alvarez and Stephen Egerton are probably responsible for thousands of totally sick skateboarding injuries over the years due to turned out tuneage like “Myage,” “I'm Not a Loser,” “Cameage,” “Uranus” and my all time favorite, “Clean Sheets.” Just 27 bones gets you in to this 13+ gig. Fuck it dude, life's a risk. 
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