Alibi V.15 No.40 • Oct 5-11, 2006 

Music to Your Ears

You Write the Songs that Make the City Sing—Ask any honest musician, no matter how prolific, and they'll be straight-up with you: It ain't easy writing original music. Even the professionals get their share of funks where the chords clash and the lyrics just aren't flowing like they used to. What happens if you've lost your inspiration? What if your knowledge of music theory is a little flat, or you can't seem to find time to get your ideas down? These are just a few of the potential pitfalls of the songwriting process that a new city-sponsored program, The Albuquerque Songwriters Series, is hoping to guide you through.

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Flyer on the Wall

Bonkers

For the sixth year running, High Mayhem will pack more than 30 exceptional performances into three evenings at Santa Fe's Wisefool performance space (2778 Agua Fria, unit D). Friday, Oct. 6, through Sunday, Oct. 8. Visit www.highmayhem.org for a current schedule of performers and ticket information. (LM)

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Spotlight

Unit 7 Drain CD Release Party: Restoring the Faith

With Romeo Goes To Hell, The Oktober People, Black Maria, Lousy Robot and The Dead Electric

“Just when I think that my faith in mankind has reached its limit, I run into Little Bobby somewhere. And my faith is restored.” --Anonymous quote overheard in a bar.

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Mark Mallman

Show Up!

He's the Piano Man

’70s glam rocker Mark Mallman brings keys and cheese to town

It's hard to tell whether Mark Mallman is kidding.

After our interview, I'm pretty sure he and his Billy Joel/Elton John-like piano-based tunes (most of which are about booze) are for real. That's Mallman, according to his press photos: longish hair, a leather jacket, a tiger superimposed over his upright, pentagrams in music notes all over his site.

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WeatherRed rocks out on Sunday, Oct. 1, to mark the grand opening of Bleeding Eardrum’s new rehearsal and performance space.
Tabatha Roybal

On the Scene

Housing the Loud

The Duke City's most deafening seek shelter at this practice space. Luckily, it just got bigger.

Bleeding Eardrum's Michael Burke may have bitten off more than he can chew.

But in the business of providing rehearsal space to Albuquerque's loudest rock bands, that translates to a potential 10 practice rooms housed in the same building as a 5,000-square-foot warehouse—quite possibly the roomiest all-ages venue in town.

"It's kind of like you go into a buffet and put way more food on your plate than you know you're actually going to eat," Burke says. "That's kind of the situation that we're in with this."

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Sonic Reducer

Bones Disconnected · Sugarcult Lights Out · The Grates Gravity Won't Get You High

Not all geeks grow up to be millionaires—some become rock stars. I can't say for sure if the men who make up Bones were geeks, nerds or dweebs in high school, but Disconnected sounds like the product of two adults who spent adolescence in their bedrooms listening to ’60s protest rock and plotting the humiliation of the pretty-boy asshole in third period. In the simple guitar, bass and drums style similar to the White Stripes, Disconnected is saturated with sexual tension and the total dismissal of everything that doesn't matter.

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Image courtesy of the artist

EVENT HORIZON ()

Make a Wish

Sinbad • stand-up comedy

In the '90s there was a rumor that movie star and stand up comedian Sinbad bought an entire windbreaker factory just to appease his signature look. It was also rumored that he could stand in gale force winds without even feeling a breeze. These days, you're less likely to spot him sporting his classic look, but it just goes to show that you don't need a pair of genie pants to be the funniest person in the room. See the legend this Friday, March 22, at Isleta Resort and Casino, and get a powerful dose of comedy pumped straight into your face. The 21 and up show starts at 8pm. Tickets start at $20.
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Image courtesy of the artist

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Queen of the Reich

Queensrÿche • progressive metal • Fates Warning

Queensrÿche and Fates Warning are widely considered titans of the progressive rock world. As part of a metal monarchy, both bands are known for the intricate musical tapestries they weave with odd time signatures, multi-octave ranges and concept albums featuring complex lyrical themes. You can ride this heavy comet at the Historic El Rey Theater this Saturday night, March 23, when 'Rÿche and Fates hold court. The doors open at 7pm, show at 8. Tickets are $25 in advance. This is an all-ages show. Bring the heirs of your empire for a history lesson about a time when Vikings ruled the world and metal was melodic.
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Photo of Di'Lovely courtesy of Vixen Photo

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Spring and Sex are in the Air

The Whiskey Sister Present Flora, Fauna and F*ckery • Mayo Lua de Frenchie • Di' Lovely • Delta Rae Dixon • burlesque, comedy, variety

The Whiskey Sisters are back for their quarterly show for spring, bringing more newcomers to Albuquerque and to the Sister stage. In their 50/50 burlesque and variety show, the only Sunday show of the year on March 24 brings headliner Di'Lovely of San Diego, who has competed for the prestigious title of Reigning Queen of Burlesque multiple times at the Burlesque Hall of Fame in Las Vegas. Appearing in Albuquerque for the first time is classic burlesquer and featured performer, Delta Rae Dixon from Salt Lake City. Flora, Fauna and F*ckery also brings the magic of Bryan Lambe, the comedy and b-boy stylings of Zach Abeyta, vocal talents of Judith Mondragon, drag from Tomahawk Martini and all the A-list local burlesque you can drool over. Host Jessica Stone DeLorean takes you on a wild and colorful ride with doors at 7pm, the show at 8 and a cost of $12 for a 21 and over crowd. Go forth and enjoy the f*ckery.
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Image by Victor Barajas, courtesy Bloodshot Records

EVENT HORIZON ()

This Train is Bound for Glory

Wayne Hancock • country, Western, blues

Ameripolitan—or juke joint-swing as the genre is known by some Tejanos—advocate extraordinaire Wayne Hancock descends loudly and lovingly onto the stage at Inside Out on Tuesday, March 26. Wayne “The Train” Hancock has been startling audiences, beating up boots and brandishing a guitar since he was a young one; his affinity for finding, deconstructing and then delivering honestly raw and rambunctious roots music is without equal in the land of hillbilly-backed, Grand Ole Opry-certified swinging sounds. As the artist himself puts it, “Man, I'm like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That's me.” Entrance to this rodeo-like environment of sights and sounds will run typical 21+ listeners $12 in advance and $15 at the door; the curtain rises on America's representative at 9pm. It'll be better than season one of “Hee-Haw!”
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