Alibi V.16 No.44 • Nov 1-7, 2007 

Music to Your Ears

Dirt Cult

Las Cruces is not a place that comes to mind when you consider the great music centers of the universe, but every now and then the cosmos are kind and the stars line up favorably for this often-forgotten southern New Mexico town.

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Spotlight

2008 New Mexico Rocks Pinup Calendar Match-Up

See if you can guess what some of Albuquerque’s female rockers do when they're not melting your face

With the 2008 New Mexico Rocks Pinup Calendar premiere at the Launchpad this Friday, Nov. 2, corresponding with our second Quiz and Puzzle issue, we got to thinking: How easy would it be to determine what a selection of Albuquerque’s most recognizable musicians do to pay the bills? We decided this task was too difficult to do without cheating, so we found out the day jobs of this year’s pinup models and included them below (along with some incorrect answers to make it interesting). See if you’re up for the challenge, and get to know a little more about these posers for a cause. Circle your best guess and then go to alibi.com for the answers.

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Flyer on the Wall

Play Misty’s for Me

Misty’s Hideaway (1522 Eubank NE) keeps shaking things up in the Northeast Heights with Simfonik Plague, Torture Victim, The Grinkai and Aphotic Blitz on Saturday, Nov. 3, at 9:30 p.m. Legal drinkers only. Free. (LM)

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Mystery Sonic Reducer

? ? (?)

After a prolific decade of music-making, this was the last album recorded by the highly influential foursome that has helped shape the musical landscapes of artists such as Grandmaster Flash and the Arcade Fire. Released in 1988, the record frequently incorporates Latin rhythms and, although it produced a couple successful singles, much of the album was indicative of a band struggling to form one of its last creative gasps with trite lyrics and several songs that lack clear direction. The heavy Latin influence surfaced again on the lead singer's first solo album released a year later. [SM]

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Dafnis Prieto

Jazzed

Dafnis Prieto

Cuban-born drummer/composer’s quintet mixes jazz, Latin and classical textures at the Outpost

Alongside the equipment commonly found in a jazz drum kit—toms, snare, kick drum, wood blocks, high hat, cymbals—drummer Dafnis Prieto mounts an unorthodox percussive instrument: a frying pan.

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Image courtesy of Epitaph Records

EVENT HORIZON ()

The Descent of Punk: This Age or That

Descendents • Radkey • Hagfish • punk

Now, on the other hand—and as opposed to your parent's music which you claim to have no knowledge of whatsoever—you probably have heard of the Descendents. The quartet from the beautiful yet threatening beach is ripping it up at Sunshine Theater on Friday, Nov. 16 at 8pm. The band claims rights to a lineage of punk rock from the OC and surrounding area that pretty much branched off from hardcore units in the early '90s to produce a more pop-flavored, personally emotional form of the genre. Their brand of music heavily influenced monstrosities like Jimmy Eat World and Blink-182 as well as perhaps birthing the ultimate in abysmal entities, a thing we'll call emo for the sake of convenience. But before they did profound damage to millions of Californios and as-of-then unborn potential rockers, they did produce some pretty epic songs. Besides that, their front man, Milo Auckerman and his compadres, Bill Stevenson, Karl Alvarez and Stephen Egerton are probably responsible for thousands of totally sick skateboarding injuries over the years due to turned out tuneage like “Myage,” “I'm Not a Loser,” “Cameage,” “Uranus” and my all time favorite, “Clean Sheets.” Just 27 bones gets you in to this 13+ gig. Fuck it dude, life's a risk. 
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