Alibi V.17 No.14 • April 3-9, 2008 
Kate Mann

Music Interview

Kate Mann

You can take the singer-songwriter out of the desert ...

Even though she left Albuquerque for the rain-drenched Pacific Northwest more than a decade ago, elements from the state Kate Mann grew up in can still be found in her music and on her back. The gigantic Zia symbol tattooed between the desert-folk artist's shoulder blades isn't the only part of the Southwest that's made its mark on the budding singer-songwriter from Albuquerque. The sounds that flutter out of Mann's acoustic guitar work within the broader genre of Americana, but the landscapes painted in her lyrics bring to mind a highly New Mexicanized vision.

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Sonic Reducer

Loren Stillman Blind Date · Thomas Function Celebration · Janet Jackson Discipline

What you notice right away is alto saxophonist Loren Stillman’s sound—silky, confidential, at times ethereal, with a latent keening that suggests a soprano sax—and his adept control of minute sonic variations to shape a line and communicate the subtlest emotional content. On top of that, he has ideas aplenty, as he explores eight original, sensitive and sturdy compositions. Although the rhythm section on Blind Date includes some of the best players on the scene today— Gary Versace (piano), Drew Gress (bass) and Joey Baron (drums)—the connection between them and Stillman seems tenuous at times. Still, the sound and writing beguile. (MM)

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[click to enlarge]

Flyer on the Wall

Go, Go, Godzilla!

Eight local bands tackle an all-covers concert this Saturday, April 5, at Misty's Hideaway (21+). Someone may even ape Blue Öyster Cult. Doors open at 8 p.m. $5 gets you in and goes to APS. (LM)

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Andy Milne and Dapp Theory
Hal Horowitz

Jazzed

Andy Milne and Dapp Theory

Pianist/composer’s group balances the topical and the musical

Andy Milne is of two minds. On the one hand, he’s not particularly optimistic about the country’s prospects these days, given our dependency on foreign oil, the ballooning debt and other unpromising conditions. On the other hand, he feels that he has something of an obligation to comment on the situation and, at the same time, inject a dose of positive energy.

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Image courtesy of Epitaph Records

EVENT HORIZON ()

The Descent of Punk: This Age or That

Descendents • Radkey • Hagfish • punk

Now, on the other hand—and as opposed to your parent's music which you claim to have no knowledge of whatsoever—you probably have heard of the Descendents. The quartet from the beautiful yet threatening beach is ripping it up at Sunshine Theater on Friday, Nov. 16 at 8pm. The band claims rights to a lineage of punk rock from the OC and surrounding area that pretty much branched off from hardcore units in the early '90s to produce a more pop-flavored, personally emotional form of the genre. Their brand of music heavily influenced monstrosities like Jimmy Eat World and Blink-182 as well as perhaps birthing the ultimate in abysmal entities, a thing we'll call emo for the sake of convenience. But before they did profound damage to millions of Californios and as-of-then unborn potential rockers, they did produce some pretty epic songs. Besides that, their front man, Milo Auckerman and his compadres, Bill Stevenson, Karl Alvarez and Stephen Egerton are probably responsible for thousands of totally sick skateboarding injuries over the years due to turned out tuneage like “Myage,” “I'm Not a Loser,” “Cameage,” “Uranus” and my all time favorite, “Clean Sheets.” Just 27 bones gets you in to this 13+ gig. Fuck it dude, life's a risk. 
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