You haven't you signed up for the Music in Film Summit yet? Sheesh. Friday and Saturday, Sept. 18 and 19, Downtown will host panels and parties devoted to getting your music on the big screen, and it's 100 percent free. But before you load up the jalopy and move to California, you need to RSVP in advance of the conference to firstname.lastname@example.org. Log on to newmexicomusic.org for the schedule.
MV & EE plays with sound in the form of electrified acoustic instruments (and vice-versa in Thurston Moore's trippy Ecstatic Peace! label recordings.) Burque’s A.G.L. and The Jeebies open what looks like the last show at 1Kind Studios (1016 Coal SW) on Tuesday, Sept. 22 ... :( . Cover is $5, jammage beings at 8:30 p.m. and it’s still all-ages. ... :) (Laura Marrich)
An obvious labor of love, Sweet is 11 tracks of swinging, straight-ahead jazz. Seven original compositions from Jan McDonald (trumpet, flumpet) and producers Bert Dalton (piano) and Jon Gagan (bass) present some of New Mexico’s musical heavyweights—all in in superb settings that range from a duo to a 12-piece orchestra. McDonald plays in a shaded tone with a spare, almost baroque lyricism and an emotionality deepened by its understatement. “My Funny Valentine,” which you probably thought you’d never want to hear again on the trumpet, gets a particularly restrained and touching reading that gives the “repeat” button a workout. The writing is often superb, as in “Sweet Thing,” “Sorry Bastard Blues,” and the opening title track (where trumpeter Bobby Shew’s bright, brassy sound complements McDonald’s darker tone)—all from McDonald’s pen.
Ameripolitan—or juke joint-swing as the genre is known by some Tejanos—advocate extraordinaire Wayne Hancock descends loudly and lovingly onto the stage at Inside Out on Tuesday, March 26. Wayne “The Train” Hancock has been startling audiences, beating up boots and brandishing a guitar since he was a young one; his affinity for finding, deconstructing and then delivering honestly raw and rambunctious roots music is without equal in the land of hillbilly-backed, Grand Ole Opry-certified swinging sounds. As the artist himself puts it, “Man, I'm like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That's me.” Entrance to this rodeo-like environment of sights and sounds will run typical 21+ listeners $12 in advance and $15 at the door; the curtain rises on America's representative at 9pm. It'll be better than season one of “Hee-Haw!”
Weekly Alibi's Best of Burque Music Showcase • Pope Yesyesyall • Prism Bitch • Sweet Nothin • Shitty and the Terribles • garage, punk • Black Unicorn • surf rock, heavy metal
By Mayo Lua de Frenchie
The scene has spoken and Weekly Alibi has winners and favorites for yet another year. The Best of Burque Music Showcase descends on downtown Albuquerque at all the raucous spots the city is known for, including Sister, Side Effex, KiMo Theatre, The Jam Spot, Corpus Arts and Launchpad. The free pre-party kicks off from 2 to 6pm at Inside Out, formerly Mezcal. The official launch of the showcase at all the other venues begins with doors at 7pm and music at 8pm. Jam out to bands and musical artists for every taste from Prism B*tch to Sweet Nothin, Pope Yesyesyall to Baracutanga and Tylor Brandon to The Riddims. Pre-sale wristbands and the cost for individual venues is $10 and wristbands are $15 on the night of the show. These events are 21+ only.