Alibi V.19 No.26 • July 1-7, 2010 

Aural Fixation

Yankee Doodle Dandy,” perhaps the sassiest of all classic patriotic American tunes, is thought to have been written in mid-18th-century Europe, possibly during the Seven Years’ War. Though its exact origin is unclear, the song was a British invention and was used to deride American Colonists and their ragtag army. The most recognizable verse (there are nearly 200) is not seen in this sheet music: “Yankee Doodle went to town / Upon a little pony / Stuck a feather in his cap / And called it Macaroni"—nonsense on the surface, this verse is actually a snobby insult to pastoral Colonial fashion (a Macaroni was a traveled, upper-class European who wore extravagant wigs). In the American tradition of taking things that don’t belong to us, “Yankee Doodle Dandy” was reclaimed by the disheveled patriots and became a source of Colonial pride. And, as we all know, in the end the garishly dressed Americans defeated the pretentious and dimwitted red coats whose flamboyant uniforms made them easy targets. U.S.A.! (Jessica Cassyle Carr)

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Peter Case knows what song’s on the B-side.
Ann Summa

Music Interview

Wig Out!

Power pop turns folkie—a chat with Peter Case

In 1975 Jack Lee, Paul Collins and Peter Case formed the short-lived but influential power pop group The Nerves. Most notably, the band is responsible for the classic track "Hanging on the Telephone," later made famous by Blondie. The group also had a hand in founding the West Coast punk scene—but just as the cultural explosion got its footing in L.A., The Nerves split in 1978. Collins and Case formed The Breakaways, and Lee went solo. Case went on to find success as the frontman for The Plimsouls, but by the mid-’80s that band dissolved and Case returned to his solo roots.

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[click to enlarge]

Flyer on the Wall

Psychedelic Hoedown

“Listen, Bob, I don’t have time to talk about the memo—I’m up to my flank in plastic army men right now.” A combination of discount wallpaper, highly effective business practices and possibly the artist’s bad acid trip make this an intriguing work of photo montage. More intriguing is the idiosyncratic show it notes— Grand Canyon, Shoulder Voices and The Booty Green—at Atomic Cantina (315 Gold SW) on Saturday, July 3, beginning at around 10 p.m. The show is free for the 21-and-over crowd. (Jessica Cassyle Carr)

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Sonic Reducer

Piñata Protest Plethora · Panda Riot Far and Near · Matt Perrine & Sunflower City Bayou Road Suite

Mixing punk with Mexican border music is nothing new. Joe “King” Carrasco hit it big on the frat-boy circuit with nuevo wave-o Tex-Mex party songs that ultimately tasted like watery horchata. Tired of Black Flag copycats but not the energy, San Antonio native Álvaro del Norte reclaimed the corridos he rejected as a child to study under Texas accordion maestro Juan Tejeda. Now his band, Piñata Protest, serves a steaming pot of caldo de res with beefy punk riffs and greasy accordion marrow—the tastiest Norteño/rock recipe to date. Be sure you save your last bit of tortilla to wipe the bowl clean. (CA)

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Image via Pixabay

EVENT HORIZON ()

The Ship is Dockin', Interlockin'

17th Annual Breakin' Hearts • Shuga Shane • Element • Knucklehead Zoo • Randy Boogie • Foundations of Freedom • Chief Rocekrz • BZ Beatz • hip-hop

Education, competition and reflection are the themes of the 17th annual Breakin' Hearts Festival, a four day hip-hop party right here in Albuquerque. Featuring regionally known artists, advocates and other interested parties, the main event for this spectacular get down is going down on Saturday, Feb. 23 at the Historic El Rey Theater from noon until 10pm. Preceded by nightly dances and educational opportunities galore, Saturday night's event is hosted by Shuga Shane UHF/XFRX and Speed One and features the renowned DJs Element, Randy B and BZ Beats. Besides Beatbox and breakin' battles, a freestyle dance competition and a Blackbook contest, with performances by Def-i, LETSJUSB, Gravity, Jessica Lopez and Carlos Contreras. All-ages are welcome at this event—it's $20 at the door and $15 in advance from Vibes Dance Studio. Get your body movin' today before that sauce recipe disappears into the vault again.
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Image courtesy of the artist

EVENT HORIZON ()

Slide That Chord, Dude!

Roosevelt Collier • pedal steel

AMP Concerts presents a concert by pedal steel guitarist Roosevelt Collier at The Cooperage on Sunday, Feb. 24 at 7:30pm. Collier is considered the master of a traditional approach to an instrument that's become familiar to American ears through every sorta sound from straight Country and Western to rocanrol and even indie bands. The artist's slide-style playing is lightning fast and gorgeously executed with a twang and twist. He's jammed with the Allman Brothers, Los Lobos and Tedeschi-Trucks; his latest recording was produced by by Michael League, one of David Crosby's current collaborators. In summary, this show is going to rock out, so be there. Tickets are only $17 in advance and $22 the day of the show. It's an intimate venue replete with meat and cocktails—which means this is a 21+ gig—and you are guaranteed to walk away with a shiny spot in your head that will only disappear with repeated exposure to songs like “Far Away Eyes.”
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