Alibi V.23 No.44 • Oct 30-Nov 5, 2014 

Art Magnified

Wilde style

"Mictecacihuatl,", oil and acrylic on wood panel
"Mictecacihuatl,", oil and acrylic on wood panel
Vanessa Wilde

The line between life and art can often be as indiscernible as the gradations between the first layer of canvas primer and the next. For Gallup-born painter and multimedia artist Vanessa Wilde, the richness of her portraiture can be traced to its roots in a similar amalgam between personal experience and a barrage of seamlessly woven artistic stylings.

As a child she was awed by moving murals that would race through her hometown in the form of graffiti-bombed train cars. She marveled at the stoicism she saw in photographs of Native American chiefs. She was enlivened by hip-hop culture in her teenage years. Eventually, art school in Colorado gave her a platform to blend all these influences into a singular vision.

Wilde’s Albuquerque debut, Retrospective of Experience, opens this week at Nob Hill’s Tractor Brewery (118 Tulane SE). The collection of roughly 12 pieces showcases Wilde’s eclectic balance of oil, spray paint, gel transfers and acrylic. Most often, loud color interplays with solemn portraiture. In one of two collaborations with Patrick CloudFace Burnham, a proud female visage is adorned by a Día de los Muertos rose crown, planted against a backdrop of harmoniously chaotic red and blue hues and line work that screams hip-hop. Wilde’s palette in such works is bewitching, and as good a reason as any to head to Tractor and temper your palate with a pint of La Llorona Dry Hop Amber, especially at her artist's reception on Sunday, Nov. 2, from 5 to 7pm. (Sam Adams)

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Past ghosts

“Ghost Dancer”
“Ghost Dancer”
Angel Wynn

“The past is never dead. It’s not even past,” according to Faulkner. In Angel Wynn’s latest exhibit, past and present, living and dead all merge together. Native American ruins and old frontier buildings are haunted by phantoms created with photographic illusions. “By using ghost-like effects to recreate the past life of a man, woman or child,” writes Wynn in a press release, “I want to bring a vitality to history in a deeply felt way and to spark interest in preserving legendary places.”

Ghost Dance: Spirits & Angels crosses cultural boundaries and draws on 400 years of New Mexico history and legends, from the Civil War to Georgia O’Keeffe to La Llorona. Wynn is a prolific photographer of North American Indian cultures, and it was during a shoot of an Anasazi ruin that a spectral lens flare first inspired this new artistic direction. The show’s opening reception, appropriately, is on Oct. 31, from 4 to 6pm. Some of the ghosts will be present in costume. At another reception on Nov. 8, 2 to 4pm, Wynn will discuss what this project means to her and the techniques she used for the apparitions. Both will be held at Wynn's Santa Fe studio at 1036 Canyon Rd. (Randyn Charles Bartholomew)

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