Alibi V.15 No.10 • March 9-15, 2006 

Culture Shock

Stan Won't Dance—Well, actually, he will, but only if you ask him nicely. The London two-man dance troupe integrates original text with experimental choreography, design and video. Stan Won't Dance will be performing Sinner, a show loosely about the Soho Bomber, at the South Broadway Cultural Center (1025 Broadway SW) this Friday, March 10, and Saturday, March 11, at 7:30 p.m. This unique performance is sponsored by the folks from Global DanceFest. Tickets are $30 general, $15 students/seniors and can be reserved by calling 848-1320.

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Gallery Review

Looking Out, Looking In

First Seen: Portraits of the World's Peoples (1840-1880) at the University Art Museum

These days, it's easy to take armchair travel for granted. With 8,000 cable channels at our fingertips, nothing could be simpler than to kick back in our La-Z-Boys with our remote in one hand and a cup of hot cocoa in the other as we take in exotic sights and sounds from the furthest reaches of the globe.

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Author Interview

The Art of Fiction

An interview with Susan Vreeland

Life Studies, Susan Vreeland's first short fiction collection, continues in the vein of the best-selling author's previous work, using art and artists as vehicles for storytelling. I recently caught up with Vreeland at the new Borders on Albuquerque's Westside on a recent sunny winter afternoon. Vreeland looks the schoolteacher she was for 30 years, but beneath this facade lies a passion for writing and art that she delights in sharing. We chatted over tea (and a late lunch for Vreeland, whose flight from Denver had been delayed).

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Image courtesy of the artist

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Radiant Reveries Revealed

Lost in a Dream: Fantasy and Abstracted Images by Joan Fenicle

Pixels and paint bring to life dreamscapes that spring from Fenicle’s imagination. Her images of forest dwellers and landscapes, like dreams, invite you to add your own meaning. Runs through 01/27/19.
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Image courtesy of the artist

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Banjos are Cool Now

We Banjo 3

Ireland's fusion band finds common ground between old world tradition and authentic Americana using a banjo, fiddle, guitar and mandolin in an innovation of styles that dubbed Celtgrass.
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