Back in Black—Your very last chance to check out James Black's eye-poppin' solo show will be at a closing reception this Saturday, Feb. 17. The exhibit, called Ink, consists of Black's images of faces and figures, two entire walls of which were composed in house at the Trillion Space late last month. At the closing gig, your art-viewing pleasure will be enhanced with performances by Alla Faders and Zach Freeman. Come on down! The Trillion Space is at 510 Second Street NW. The reception runs from 7 to 11 p.m. www.thetrillionspace.com.
It’s always a little embarrassing to be a tourist, camera hanging from your neck as you hurriedly check sites off your list, getting glimpses of only the things visitors are supposed to see. Looking back through the vacation photos, it’s like you were fooled a little, as though a palm tree-print curtain was pulled across the less pleasant aspects of the city, leaving only the cliché of G-rated sunsets and tourist-ready beaches.
The Fusion Theatre Company is putting up the Southwest premiere of Craig Wright's play Orange Flower Water starting this Thursday, Feb. 15. Wright was the lead writer for HBO's “Six Feet Under.” His play is about two couples wrestling with the torment of infidelity. This Fusion production runs Thursdays through Saturdays at 8 p.m., with matinee performances at 2 p.m. on Sunday. $22 general, $17 students/seniors. Aside from the opening night show, Thursday performances feature a $10 student rush (with valid ID) and a $15 actor rush (with pro résumé). 766-9412.
In recent years, no one has done more to shake up the classical music scene in Albuquerque than Joseph Franklin, the charismatic executive director of Chamber Music Albuquerque. Franklin has just released a memoir called Settling Scores, which details his rise from a working-class family in north Philadelphia to the cutting edge of modern American music. He'll be signing the book at Page One (11018 Montgomery NE) this Sunday, Feb. 18, at 2 p.m. Stop by, grab a copy and listen to some of his tales from the fringes of contemporary music. 294-2026.