Fat Slice—Have your cake and eat it too this weekend when the Readymade Dance Theater Company (RDTC) debuts Version 2.0, a streamlined, user-friendly contemporary dance performance choreographed by RDTC founder and director Zsolt Palcza.
The National Hispanic Cultural Center’s newest exhibit, The African Presence in Mexico: From Yanga to the Present, spans five centuries of Mexico’s “third root,” people of African descent. It's an engrossing and essential exhibit due to the fact that Mexico only officially acknowledged such a legacy in 1992 following the groundbreaking work of anthropologist Dr. Gonzalo Aguirre Beltrán. This impressive show opened on March 30 to a culturally diverse record crowd of over 1,000 people. A visit will be well worth your time and energy.
Products like the iPod, brands like Coca-Cola and pop stars such as Michael Jackson are not the only currency of globalization. As Mike Davis points out in this swift, grimly readable little book: weapons are, too.
The Vietnam War has inspired countless memoirs, novels, journalistic dispatches and 1,000-page histories. But in recent years, a new type of narrative has arisen from that war’s loamy, grave-littered soil: the reckoning of the soldier’s offspring.