Alibi Volume 19, Number 33
August 19, 2010
Estevan Rael-Gálvez, executive director of the National Hispanic Cultural Center, on discourse and identity
He was a terrible rancher. The son of a borreguero (sheep herder) in northern Taos County, Estevan Rael-Gálvez says he constantly lost his flock. Life on the farm wasn’t for him. So with his mother’s encouragement, he walked away from his family’s generations-old trade of sheep and farming in Costilla and Questa to answer his calling—academia, and ultimately a much larger world where culture, art and politics converge. July marked Rael-Gálvez' first year as the executive director of the National Hispanic Cultural Center. Lively and cerebral, Rael-Gálvez has wasted no time in the influential seat, propelling the NHCC to the forefront of Hispanic cultural and political affairs both locally and nationally. One year into his service as head of this increasingly powerful institution, the Alibi invited Dr. Estevan Rael-Gálvez to answer our resolana-style questions (but more on that later).
Ho-Bots and DoomsDames triumph in DCD doubleheader
When 14-year-old Marlo McCarter first saw a derby skater on TV this summer, she was so stoked that she started begging her mom and grandma to take her to see some live bouts.
One activist dreamed of bringing gay pride to his town. In spite of his death, the festival must go on.
Friends and colleagues describe Robert Quintana as a master organizer with a talent for inspiring people. "He wanted to make everything bigger, better and more fun and more delightful," says friend Janie Corinne. She worked alongside Quintana for months to bring about the city’s first ever gay pride festival.
Google's been known as a fierce advocate for net neutrality. But the web giant, along with Verizon, is suggesting a model critics say threatens Internet freedom. "What they're trying to set up is a public, slower-running Internet and a private, faster-running Internet," says Andrea Quijada, executive director of the New Mexico Media Literacy Project.
There was both finger-pointing and back-patting at the Monday, Aug. 16 City Council meeting.
Jeez, you guys, I’m runnin’ out of trails. For this, my penultimate week on the bike path beat, I had to search the map and my soul to find one I haven’t already written about. I couldn't remember ever having been on Paseo de las Montañas, and I couldn't exactly figure out why. The map showed it intersecting Tramway just south of Candelaria, a stretch of road I've traversed too many times to count. How could it be that I'd repeatedly ridden past an inviting bike-only turnoff without ever even noticing it? The answer is that there is no inviting bike-only turnoff. I made a couple of increasingly bewildered circuits on Tramway's western shoulder before giving up and hauling my bike through the grass until I found the trail.
Dateline: Turkey—An overly enthusiastic bridegroom who decided to mark his wedding with a little celebratory gunfire ended up riddling the wedding party with bullets and killing three of his own relatives. The unnamed groom was attempting to shoot bullets into the air with an AK-47 at a ceremony in Akcagoze, in southeastern Gaziantep province. Unfortunately, the man struck his own father and two of his aunts, all of whom later died in the hospital. Eight other wedding guests, including children, were struck by the gunfire as well. The groom was arrested by local police. Turkish police have tried, in recent years, to crack down on the traditional custom of wedding gunfire by imposing harsher penalties.
The 10th annual Native Cinema Showcase kicks off this week in Santa Fe. This year, the showcase is screening four new Native-directed features, five documentaries and 25 short works. In addition to the films, there will be live music, an animation workshop and a gala award ceremony. The showcase, which runs Aug. 19 through 22, is presented by the Smithsonian National Museum of the American Indian, the Center for Contemporary Arts and the Southwestern Association for Indian Arts. Featured works include the sports documentary Jim Thorpe: The World’s Greatest Athlete, the Canadian road trip romance Kissed By Lightning and the New Zealand coming-of-age tale Boy. Screenings will take place at the CCA Cinematheque and at a special outdoor screen in Santa Fe’s Cathedral Park. For a complete schedule, log on to nativenetworks.si.edu.
Comic-turned-movie makes for a beautiful oxymoron—a romance that kicks ass
Scott Pilgrim vs. The World is super fresh, ultra hip and totally fun. And if that sounds too immature or too flippant, well then too flippin’ bad. Scott Pilgrim is an unabashed celebration of juvenile obsessions—a gloriously ill-spent summer afternoon of comic books, video games and Pop Rocks.
“The Great Food Truck Race” on Food Network
Televised cooking competitions are a dime a dozen. This summer alone, we’re looking at “MasterChef,” “Hell’s Kitchen,” “Chopped,” “The Next Food Network Star,” “Top Chef,” “24 Hour Restaurant Battle” and others. So it’s not like audiences are starved for the fun but familiar offerings of “The Great Food Truck Race.” But it is on Food Network. What else are they gonna serve up? Cooking shows and cooking competitions pretty much cover the full menu over there. At least this one gets us out of the kitchen.
The Week in Sloth
Joe West is Xoë Fitzgerald in a New Mexican sci-fi rock opera
This is a story about love, so we know from the outset to expect tragedy. But, as the cross-dressing, folk-singing antihero of Xoë Fitzgerald: Time-Traveling Transvestite teaches us, that’s no reason to give up on a good cause.
Woven Bones is a horrible delight
Within the ’60s “monster craze” there was also a rash of supernatural and otherworldly themes on the obscuro end of rock and roll. Songs like "Night of the Phantom" by Larry & the Blue Notes, "Sky Men" by Geoff Goddard and "Morgus the Magnificent" by Morgus & The Three Ghouls are a few examples of the era's haunted, if not silly, creations. America's demented genius Screamin' Jay Hawkins and his British follower the Screaming Lord Sutch were taking horror music to a more frightening place with songs like "Whistlin' Past the Graveyard" and "'Till the Following Night," respectively. Even more examples exist within the priceless 56-song compilation The Roots of the Cramps, released by Garage Masters Records last year, and in the ’60s trash rock series Back From the Grave, released by Crypt Records beginning in the ’80s.
Albuquerque bands show appreciation for logarithmic spirals, as seen through the medium of a beautiful nautilus. Discuss amazing patterns found in nature with SuperGiant, Five Minute Sin and Suicide Lanes on Saturday, Aug. 21, at 9 p.m. The show convenes at the Launchpad (618 Central SW) and $5 pays your admission. (Jessica Cassyle Carr)
Gian Placido hates the British and people who have love affairs with New York City
Gian Placido is an off and on resident of Albuquerque with a rabid disdain for the British. In his natural state you can find him relaxing poolside in a captain’s hat while enjoying top-shelf Scotch and perhaps the view of a sexy new boyfriend. On other occasions, he marauds as DJ Arts and Crafts, specializing in progressive ’70s rock. Below he shares five random, alarmingly Jeff Lynne-free tracks.
Museums are pretty nifty places. Anyone with a couple of bucks can show up and see something they would never be able to have in their house. Be it a priceless piece of art or a big dinosaur skeleton, museums kick schools’ butts when it comes to getting up-close-and-personal with far-out subjects. “All That Glitters” is a fun fundraiser for the New Mexico Museum of Natural History and Science Foundation so it can keep teaching young and old about the world around us. For $75 you can make sure the museum is in good financial shape for the future while munching on hors d'oeuvres and desserts, and voting on jewelry entered in a design competition. Get dazzling and ensure that Albuquerque continues to offer the best field trips around. The event takes place at the New Mexico Museum of Natural History (1801 Mountain NW), and you can get tickets at naturalhistoryfoundation.org.
Let’s get crazy, Burque style
Shenoah Allen says he always wanted to be president when he grew up, but “I never took any steps toward becoming president.”
Duke City Rep reaps dividends by building Trust
If all Albuquerque’s a stage, and all Burqueños merely players, then the folks behind Duke City Repertory Theatre are those talented understudies waiting giddily in the wings for their big shot at the spotlight.
The next time a friend says thanks, but no thanks, to your latest offering of homegrown zucchini, think about donating it. You could join the network of organizations across the country that directs unused food toward the nation’s hungry. Food Forward, founded by Rick Nahmias and manned by hordes of volunteers, has gleaned tons of fruits from farms in Southern California to be distributed to food pantries. They post regular schedules on Facebook so volunteers can meet to pick fruit.
It’s no accident that the newly opened Salathai already has the feeling of a well-worn sarong. It’s a reincarnation of Thai Ginger—on south San Mateo and now called Thai House—which Pitak Titakkan and his brother sold in 2007. Titakkan is back in the saddle with Salathai, on Copper and Carlisle, and he's picking up where he left off.
ARIES (March 21-April 19): In the 18th century, the French Academy laid down rules about the differences between professional and amateur paintings. For example, it was decreed that true artists must create a "licked surface," hiding all evidence of their brushstrokes. The illusion was more convincing that way; viewers could sink their attention fully into the image without being distracted by thoughts about the artist's process. When the Impressionists barged into the scene in the 1870s, one of their rebellions against convention was to reject the licked surface. By making some of their brushstrokes visible, they declared they weren't interested in upholding the artifice. They wanted their audience to get involved in their subjective interpretation of the scene that was portrayed. In the coming week, Aries, I encourage you to be like the Impressionists. Forget about trying to present a licked surface. Reveal the inner workings that are whirling and humming behind your eyes.