Alibi Volume 20, Number 34
August 25, 2011
We put out a call to local artists, asking them to show us how they’d redesign an Alibi distribution box. We were subsequently showered with submissions, and we spent weeks poring over drawings, sketches, digital renderings, and mad ramblings in letters and emails. Notions of every sort sloshed across our desks, fresh from the minds of our city’s creative geniuses.
In the fight for equal rights, transgender issues have been left in the dust
Criminal justice reform may still be in the cards for New Mexico
European road pic travels familiar path, but snaps a pretty picture
A foreign accent, an eccentric cast, some gorgeous scenery and a lighthearted joie de vivre attitude about dark subjects: These are a few of the elements necessary for constructing an art-house crowd-pleaser. Vincent Wants to Sea (Vincent Will Meer) is just such a film. Having nabbed Outstanding Feature and Best Actor at the 2011 German Film Awards (while nailing down nominations for Best Supporting Actor, Best Supporting Actress and Best Screenplay), Vincent is now pulling into America looking for easily charmed audiences.
TV gets real
For decades, summertime was the time for TV reruns. If you missed a few episodes of your favorite network sitcom in fall/spring, you could catch them in July. Or you could go out and play Frisbee. But these days—what with the proliferation of new cable TV stations and broadcast networks expending extra effort to create original summertime programming—reruns are hardly the hot topic. September is fast approaching, and summer is almost gone. We’re just weeks away from the debut of the fall 2011 TV season. What better time to ask the question, “What have we been watching all summer?” I’ll give you one big hint: There ain’t a lot of scripts involved.
The Week in Sloth
It’s late summer, and that means it’s definitely film festival time. Everybody is lining up to curate a festival of cool independent films this time of year. We just got done with the Albuquerque Film Festival and the Native Cinema Showcase and we’re gearing up for the Southwest Gay and Lesbian Film Festival and the Truth or Consequences Film Festival. In between, we’ll just have to make due with the White Sands International Film Festival. The sixth annual WSIFF will take place Thursday, Aug. 25, through Sunday, Aug. 28, in Las Cruces. The new dramedy Refuge by award-winning playwright / Las Cruces resident Mark Medoff will start off the festival on a high note, serving as the opening night premiere. Throughout the weekend, there will be a ton of films, workshops, parties and more to keep festivalgoers busy. Val Kilmer will be on hand to receive the Lifetime Achievement Award on Friday. The Doors (1991) and Tombstone (1993) will be part of the fest’s Kilmer retrospective. Aside from that, there’s a wide range of films to choose from in the festival’s schedule—from the Native American high school track documentary Run to the East to the New Mexico-shot romantic comedy The Bigfoot Election. Screenings take place at the Cineport 10 and all-festival passes are on sale right now. They’ll run you between $25 and $75 dollars. Individual tickets can be purchased at the venue, if available.
Andy Warhol was among the most iconic and prolific visual artists of the 20th century, a highbrow and low class culture cultivator of profound influence. The pop artist is just as recognized for his soup cans or Marilyn Monroes as he is for the silver New York "Factory" where those works were produced (while his Superstars and other celebrities milled about, glamorously bored). But Warhol was also an avant-garde filmmaker, publisher, producer and dabbler in performance art. One facet of this multidimensional career was The Exploding Plastic Inevitable, a series of traveling multimedia shows that occurred between 1966 and 1967. The shows featured Warhol's films, dancing and performances by Factory regulars and house band The Velvet Underground.
Atmosphere’s Slug on life after death
In tribute to Norwegian deathpunk band Turbonegro, local five-piece Ass Cobra will play its first and only show at Burt’s Tiki Lounge on Friday, Aug. 26. K.C. Strangle and Skulldron open the free festivities, which begin at 10 p.m. (Jessica Cassyle Carr)
Body of work points a finger at genocide
Spectral figures clad in white float into the intersection of Fourth and Central. They carry armfuls of bones, which they deposit on the ground. As they retreat, more couriers appear and they too place dozens of skeletal pieces in the street. The cycle continues until 50,000 white offerings fill the crossroads. This is the first round of the activist art installation One Million Bones, and it happens on Saturday, Aug. 27.
Serial killer digs Thelonious Monk in Swedish crime novel
A totally killer schedule is in place for Albuquerque’s annual, homegrown festival of science fiction and fantasy. The theme of this year’s convention is steampunk, which we at the Alibi are crazy about [Feature, “Full Steam Ahead,” July 21-27]. There’s a costume contest on Saturday night, a discussion on “Steampunk Definitions: More Than Victorian Clothing,” a make-and-take workshop with gears, and vendors selling corsets, cloaks and all the other bits and bobs to fulfill your mechanical-wonder needs.
Fresh ideas in “health care”
I spend a lot of time driving around looking for individuals, restaurants, food boutiques and other businesses that sustain Albuquerque’s gustatory cravings. In this crazy economy I remain eternally hopeful, buoyed by the seemingly endless stream of entrepreneurs ready to open their doors to the Duke City. From brand-spanking new, to oldies but goodies, here are a few of my latest finds.
ARIES (March 21-April 19): I predict that in the coming weeks, you will be able to extract an unexpected perk or benefit from one of your less glamorous responsibilities. I also predict that you will decide not to ram headfirst into an obstacle and try to batter it until it crumbles. Instead, you'll dream up a roundabout approach that will turn out to be more effective at eliminating the obstacle. Finally, I predict that these departures from habit will show you precious secrets about how to escape more of your own negative conditioning in the future.