Alibi Volume 21, Number 17
April 26, 2012
The aftermath of the NY Times horse-racing exposé
The thing that hooked Debbie Coburn into nonprofit horse care: a 50,000-horse-long pee line. That’s the odd name for a controversial practice. Coburn explains that pregnant mares excrete a hormone in their urine that can be readily absorbed by humans. “There are pharmaceutical companies who buy the urine from farmers who collect it,” she says. The companies extract the hormone from PMU (pregnant mare urine) and put it in hormone replacement therapy drugs.
Got you under my skin
New Jason Segel rom-com is happily married to the same-old, same-old
Romantic comedies about weddings are the cinematic equivalent of reality shows about wedding planners. They probably reach the exact same audience and involve about the same amount of creative effort. (“Eh, people watch those things. Let’s just make another one of those.”) The Five-Year Engagement has the benefit of a solid cast and a credible bunch of people behind the camera. But it’s still a lazy cut-and-paste job, combining elements of every nuptial-based rom-com since Four Weddings and a Funeral.
1-2-3-4 ... What are we fighting for?
This year, Albuquerque Pride is adding a new component—a cinematic one. The newly minted PrideFilm Festival is designed to promote the film industry and Albuquerque’s LGBT community at the same time. PrideFilm is on the hunt for folks who are eager to get behind the camera. You’ll have the entire month of May to create a five-minute masterpiece under the guidance of professional mentors from IATSE 480. Films will screen during the PrideFilm Festival on June 30. Entry fee is $50, and that includes one ticket to Albuquerque PrideFest. It also entitles you to a 50 percent discount on rental equipment at Serious Grippage. Details are still emerging, but if you’re interested in jumping on board, be sure and keep track on Facebook.
The Week in Sloth
Every April for nearly three decades, the Gathering of Nations has brought indigenous groups from around the continent to Albuquerque to celebrate Native culture and traditions. The powwow, which claims the title of North America’s largest, is three days of music, dance, markets, food and cross-culturalism.
The Tribute Trio—John Rangel (piano), Michael Glynn (bass) and Cal Haines (drums)—paid homage to iconic jazz pianists/composers in a series of monthly concerts from May 2010 to April 2011. Each focused on a particular pianist—except for the last. That final concert celebrated the release of the trio’s first album, Dedications, Vol. 1, which featured original compositions inspired by some of the pianists they’d been exploring. This week, they release Dedications, Vol. 2, with original compositions that find their inspiration across a wider landscape. On Vol. 2, the trio unhooks itself from specific pianists’ styles and explores its own identity with greater freedom. The high point comes in a tender homage to the trio’s artistic director, Victoria Rogers. Written by Rangel, the composition walks a line between jazz and classical terrains, offering an unguarded musical expression of gratitude that’s full of endearing quirks à la Satie (and à la Rogers). What the new release says more than anything is that the trio is its own man, with compositional skills and musicianship worthy of wider attention. You can catch an earful at the album release concert, where the CD will be available for a discounted price.
Music is a way to search for love and meaning, an avenue for people to plunge deep into their soul for an understanding of themselves and their world. “Weird Al” Yankovic knows our deepest part may be the stomach. For more than 35 years Weird Al has skewered popular culture and given us songs of food, animals and various absurdia. And on April 30, Weird Al brings his accordion and to-die-for hair to the Kiva Auditorium.
Styrofoam Sanchez, Hora Flora, The Jeebies, Kayfabe Quartet and Javelina coalesce into big bleepy, noisy, jazzy show. Happens on Monday, April 30, at 8:30 p.m. at the Albuquerque Center for Peace and Justice (202 Harvard SE). Admission is $5 and all-ages. (Jessica Cassyle Carr)
Duke City and Big Apple tag-team for scintillating show
Black Market Goods resurfaces for Gathering of Nations with eclectic bash
The flyer for Josh Jones' Injunuity art show depicts a head-dressed Native American cartoon character gleefully gassing an undersized hotrod beneath the tagline "Start your Injuns!" A throwback to the comically bizarre work of Ed Roth and R. Crumb, the illustration is indicative of the unhinged spirit of the event Jones has been assembling for four years during Gathering of Nations.
Sometimes when you think big, you have to think small. No, that's not a quote from Yogi Berra. It's the formula gallerist Cassidy Watt employed to curate In Microscale, a show of 150-odd pieces from about 45 artists, now in its second annual iteration at Metallo Gallery in Madrid. The criteria: create pieces of art that, if 2D, have a surface area of no more than 36 square inches. "I didn't want to tie the artists’ hands behind their backs. You could do a 1-by-36 if you wanted to," he says. If the work is 3D, well, just keep it small.
Burgers from scratch
Now seems like a good time to point out how easy it is to grind your own burger in the food processor. Grill season is starting, pink slime is everywhere and, for once, wouldn't it be nice to have a burger that isn't basically mystery meat? While most households don't have meat grinders, your old La Machine or Cuisinart can get it done like a champ.
ARIES (March 21-April 19): "True life is lived when tiny changes occur," said Leo Tolstoy. I agree. It's rare for us to undergo rapid, dramatic transformations in short periods of time. That's why it's delusional to be forever pining for some big magic intervention that will fix everything. The best way to alter our course is slowly and gradually, by conscientiously revamping our responses to the small daily details. Keep these thoughts close at hand in the coming weeks, Aries. Be a devotee of the incremental approach. Step-by-step. Hour-by-hour.