Alibi Volume 21, Number 19
May 10, 2012
Summer Guide 2012
Retiring legislator fought for women and the working class
Danice Picraux is a pioneer, but don’t let her catch you saying that. Born, as she says, at the “head of the baby boom” in 1946, she was raised in the aftershock of World War II. It was a time when, like a rubber band pulled too taut, the nation snapped back to traditional gender roles. The United States fled from the cultural phenomenon of women working during wartime. Returning to pre-war gender norms with a glaze of extremism, the ’50s model of the powdered, curled and aproned white housewife was born.
Arty thriller thinks the kids are not all right
Evil children are a reliable movie trope. They’ve served well as the covertly malignant villains in films from 1956’s The Bad Seed to 1964’s Children of the Damned to 1976’s The Omen to 2009’s Orphan. Now, U.K. director Lynne Ramsay (Ratcatcher, Morvern Callar) takes the genre in an arty, esoteric direction with her darkly unnerving but deeply flawed domestic nightmare We Need To Talk About Kevin.
What might we be watching in fall?
As we speak, television networks are in the middle of “up front season.” That means the broadcast networks (and a few of their cable brethren) are showing off potential new shows to advertisers. The interest (or lack thereof) that Frito-Lay and General Motors show in these series will decide A) which ones go on the air in fall, and B) how much the networks are gonna charge to advertise on them. Weeding through the crop of possible new shows, there are a few that catch our eye.
Downtown Albuquerque’s historic KiMo Theatre is looking increasingly committed to classic silver screen entertainment. Starting this weekend, KiMo begins its new Friday Fright Night series. Every Friday in May, there will be a screening of a horror classic, freshly unearthed from the vaults of Universal Studios. The scares start with James Whale’s 1931 version of Frankenstein. Boris Karloff stars in the role that launched a thousand nightmares. On May 18, it’s 1933’s The Invisible Man starring Claude Raines. On May 25, we get Bela Lugosi vamping it up in 1931’s Dracula. Tickets are $7 general admission, or $5 students and seniors. You even get free popcorn with your ticket! All films start at 8 p.m.
The Week in Sloth
World-renowned guitar aficionado feels right at home
Inexpensive custom creations have kept Casa de Piñatas a UNM-area staple for 16 years
The Vortex lines up David Mamet’s soulless film industry farce
Speed-the-Plow is a play about the coke-addled, fortune-obsessed, power-crazed workings of late-’80s Hollywood, fortified with typical David Mamet misogynistic underpinnings. Also in true Mamet fashion, it’s a story in which all of the characters prove themselves despicable, some more than others. Yet Speed-the-Plow still manages to be light, frivolous fun.
Note to the world’s marketing geniuses: Place the prefix “Octo” in front of any word and you automatically have something people won’t stop saying. Try it. Octomom, Octoplex, OctoStash. See, it’s fun. You can even make up something like “Octodog” and I bet it’ll catch on. I’m not even sure what that is, but I’ve got to have one.
Drink up, chow down
ARIES (March 21-April 19): In one of your past lives, I think you must have periodically done something like stick your tongue out or thumb your nose at pretentious tyrants—and gotten away with it. At least that's one explanation for how confident you often are about speaking up when everyone else seems unwilling to point out that the emperor is in fact wearing no clothes. This quality should come in handy during the coming week. It may be totally up to you to reveal the truth about an obvious secret or collective delusion. Can you figure out a way to be relatively tactful as you say what supposedly can't or shouldn't be said?