Silence is Golden—The second annual Santa Fe Live Music Silent Film Festival gets going (quietly) this weekend at the Lensic Theater just off the Santa Fe Plaza. This year, the festival will kick off with a special conference on Thursday, May 25, at 7 p.m. This Film-Music Gathering is intended to highlight the potential opportunities that the expanding film industry may offer to local professional musicians, composers, producers and technicians. Keynote speakers include Dave Grusman, who has scored such films as Gidget (1966), The Graduate (1967), On Golden Pond (1981), The Milagro Beanfield War (1988) and Mulholland Falls (1996). Following the speakers will be a question and answer session. This free event is presented with cooperation from the New Mexico Film Office, the New Mexico Music Commission and the Santa Fe Economic Development Department.
Tristram Shandy: A Cock and Bull Story
A movie about a guy making a movie about a book about a guy writing a book (sort of)
Written in 1760, The Life and Opinions of Tristram Shandy, Gentleman is considered to be the first postmodern novel in English literature--which is quite a feat, considering the author had a couple hundred years to go before there was anything modern enough to be “post-” about. The book concerns the efforts of one upper-class Englishman, Tristram Shandy by name, to relate his life story. Over the course of several hundred bawdy and highly satirical pages, Mr. Shandy never quite seems to get past the circumstances of his own birth. If the book is “about” anything, it is the inability of something as rigid as art to encapsulate something as chaotic and amorphous as this thing called Life. The book, though considered a classic of English literature, has long been labeled “unfilmable.”
The Da Vinci Code
Columbia Pictures wasn’t in any big hurry to screen The Da Vinci Code for critics. The film didn’t even make its debut at the Cannes Film Festival until the middle of last week, a mere couple of days before its massive worldwide opening. Mixed review from audiences at Cannes fueled speculation that Columbia didn’t want bad press leaking out before the opening, but the simple fact of the matter is that The Da Vinci Code is this summer’s guaranteed box office champion. Who needs publicity when you’re adapting one of the hottest books ever published? If everyone who picked up the novel (some 40 million people and counting) comes to the theater to buy a ticket, you’ve got a certified blockbuster. Add in all the people too lazy to actually sit down and read a book, and you’ve got one of the biggest films in box office history. So who needs reviews? Clearly not the audience for The Da Vinci Code. Here’s one anyway.
Upfront and Center
Fall season shapes up around the dial
Last week, while viewers were busy watching the big season finales, the broadcast networks were engaging in an annual ritual known as “upfront presentations.” Upfronts are the time when the networks announce what their fall season schedules will look like. So, what shows have been given the boot and what new content we can look forward to this September/October?
The Week in Sloth
“So You Think You Can Dance?” (KASA-2 7 p.m.) Lemme explain this to you, America, in no uncertain terms: You can’t dance, you can’t sing, you can’t cook, you can’t invent things. Please just do us all a favor and stay at home watching TV. You’ll save yourself the embarrassment and remove all chance of forcing us to watch shows like this.
“The Jake Effect” (Bravo 7 p.m.) Bravo touts it new BrilliantButCancelled.com broadband site with an airing of this shot-but-never-aired sitcom starring Jason Bateman (just as I was getting over the pain of losing “Arrested Development”) as a corporate lawyer.