aki kaurismaki


V.21 No.5 | 2/2/2012
“Pineapple? ... What pineapple?”

Film Review

Le Havre

Finnish filmmaker goes Gallic for sentimental silent film tribute

In a year that celebrates the closed-mouth, open-eyed history of film by handing a Best Picture nomination to Michel Hazanavicius’ silent masterpiece The Artist, it seems only appropriate that we’d get another film from Finnish writer-director Aki Kaurismäki. Throughout his distinctively oddball indie film career (Leningrad Cowboys Go America, Drifting Clouds, The Match Factory Girl, The Man Without a Past), Kaurismäki has always shown a greater kinship to the silent film technicians of yesteryear than to the media-savvy moviemakers of today. His latest effort, the alternately gritty and whimsical modern fairy tale Le Havre, plays out like a politically minded remake of Charlie Chaplin’s The Kid.

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