Rooster Roundabout: This week’s music highlights
Jack Tatum’s indie pop revival
Whatever, whenever, wherever you want it to be
As Friedrich Nietzsche attests, "There are no facts, only interpretations." Maybe a newspaper is not the best forum for this idea, but the vast world of art can’t help but create infinite lenses through which we can observe the world.
The first collection of originals recorded by Albuquerque’s own mutant bluegrass quartet, Young Edward—Robert Brettelle (guitar), Michael Polera (violin), Danny Garcia (bass), former Alibi editor Steven Robert Allen (banjo), everyone on vocals—won’t often astonish you, but it will make you real happy you stopped by. As insightful as they are quirky, the tunes conjure a world of sinners, losers, drunks, holy rollers and stinky-footed lovers—not to mention Albert Einstein—summoned by close, low-key harmonies, nice hooks, a feel for the blues and a terrifically offhanded live recording by Fast Heart Mart. Polera’s violin offers some particularly tasty work, from sweet to tart. (MM)