el rey theater


V.26 No.2 | 01/12/2017
Chevelle
Courtesy Epic Records

Event Horizon

Not Just Red

Tuesday, Jan 24: Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock

Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single "Door to Door Cannibals" is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45. El Rey Theater • Tue Jan 24 • 7pm • View on Alibi calendar

V.25 No.31 | 08/04/2016

Event Horizon

Don't Just Drive By

Monday, Aug 15: Riff Raff Performs in Albuquerque

Riff Raff, Trill Sammy and Dice SoHo perform at El Rey.
V.25 No.20 | 05/19/2016

Event Horizon

Music for Heroes

Friday, May 27: Cloak and Dagger Fest • Gorgon City • electronic, house • Treasure Fingers • dance • option4

Cashmere Cat will be in town this weekend along with many other fabulous DJs.
V.24 No.52 | 12/24/2015
Oliver Scherillo/Wikipedia Commons

Event Horizon

Let the Bass Drop at Midnight

Thursday, Dec 31: New Years Eve • Borgore • dubstep, electronic • Kayzo

Put your fears to rest; check out this awesomely electric demonstration of youth, life and radical tuneage as the the year 2016 beckons.
V.24 No.47 | 11/19/2015
Cashmere Pawing at his decks

Cashmere Cat wins over Burque

As I settled into my cushioned corner and zipped up my jacket further in hopes of staying warm on a cold November night, Alxxs Garza started to play. The familiar green and purple lights of Stereo Bar illuminated the early patrons of the event. Alxxs played universally liked electro house, and had beautiful transitions as usual. The crowds in Stereo came and went as groups of friends passed through trying to get their last nicotine fix before retreating to El Rey to stay warm and listen to BK Beats and The 1960 Sci-Fi Era and eventually the headliner, Cashmere Cat.

Yielding to the cold, I retreated as well to the innards of El Rey and was greeted by the heavy beats and tender, uplifting chords that I associate with BK Beats’ live performances. The crowd in front of the stage was more condensed than the rest of the audience, but people were dancing all over. I went to the bar to get a beer, watching the social workings of the mass of fans from afar before diving in myself.

The venue slowly got more crowded as The 1960 Sci-Fi Era joined BK Beats on stage. The two work together seamlessly to create an intricate and energetic tropical/trap set. As more people joined the audience, more people started dancing. I figured I should make my way to the front of the crowd before it got too much for me. I followed the flow of the audience; ultimately arriving to the duo’s left. Not too long after that, their smooth and bubbly set was complete and the stage went dark.

After a few minutes of double checking that the tables were working, Cashmere Cat came onto the stage. The entire crowd applauded and cheered. He began his set with no introduction, as if he needed one, but it added to the atmosphere of humbleness that he radiated.

I’ve never seen so many people cat-themed; I think I’m going to call his fans Cutie Catz. I saw many cat-ear headbands, cat shirts, furry vests with hoods and rounded ears, and even a hooded Cheshire Cat onsie. The crowd reflected Cashmere’s lovable reserve. Distinctly different from most crowds I’ve dealt with at large venues, everyone was friendly and excited to share the experience.

I never thought I–not to mention a huge crowd of EDM and pop enthusiasts –could truly enjoy and get down to a playful vibraphone and harp synth drop. I suppose the springy beats and elastic vocals contribute; overall Cashmere’s style is gentle, which is truly an extension of him. While he may have not spoken to us, he was very active and engaging in other ways.

He was there to bring his followers joy, but not at the cost of his own. He was consistently more energetic than the crowd; when the crowd would recover after dancing to a particularly hard drop, he remained lively and bouncy. He only stopped dancing to focus on important transitions (which were flawless) and to throw kawaii peace signs at the audience.

Cashmere relied heavily on vocal samples, which makes sense, given that he’s worked with the music of some notable artists like Lana Del Rey and 2 Chainz (as remixes/edits), Wiz Khalifa, Kanye West and was a featured producer of Ariana Grande’s album My Everything. Unlike many DJs I’ve seen, Cashmere was able to truly weave the vocals through the music as transitions or as an instrument rather than for self-promotion or using them as a message to the youths in the crowd to get turnt. As a person, I found him adorable, and as a musician, I found him exceedingly excellent.

Cashmere created an environment of pure, innocent, romantic joy in his electronic dreamscape. His performance is the top tier of electronic shows. The entire crowd enjoyed the active and energetic set by Cashmere; I can only hope he enjoyed us as much as we enjoyed him.

V.23 No.21 | 5/22/2014
Method Man & Redman
[click to enlarge]
Courtesy of artist

Show Up!

Enter the El Rey

Wherein August March delineates intersections of hip-hop nation and hyperlocal music history in preview of a Method Man & Redman concert.
View in Alibi calendar calendar
V.20 No.18 | 5/5/2011

Alibi Picks

Native American Metal

When Darkness Falls is an all-Native metal band from Acoma Pueblo. Tonight, the six-piece that first came together in 2004 will be releasing its second album, BloodStone, on Mysteria Records. The all-ages party happens in Downtown Albuquerque at El Rey Theater (620 Central SW) at 7:30 p.m.. Special guests Winterlock, Ethnic De Generation, Bear: The Nightmare and Torture Victim open the show. Admission is $10.

V.19 No.38 | 9/23/2010

Music to Your Ears

Friends With Benefits

New Mexico is a land of soaring altitudes and a dry-as-a-chuppacabra’s-bone climate. Most of Louisiana crouches at, or even below, sea level, wading in air that’s stickier than an Elton John song. New Mexico seems to only cut loose if balloons or a burning effigy are about, and the state isn’t so fond of the hooch. Louisiana likes to live large (save for the Evangelicals), using any excuse to tap its toe and take a sip. Other than obscene poverty levels and having been settled by the Spanish once upon a time, the two states have little in common.

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V.19 No.22 | 6/3/2010
MarchFourth marching band takes it to the streets.

Spotlight

Pomp and Circumstance

MarchFourth is not your nerdy high school marching band

If you see a horde of musicians dressed like pirates who raided a band uniform store flood out of a giant touring coach, followed by fire spinners on stilts and sequined dancing girls, you’re probably about to witness the concert extravaganza that is the MarchFourth Marching Band. On Monday, June 7, the band will stage a huge performance at the El Rey Theater. Adults and children alike have the chance to be wowed by the music and spectacle this band is known for.

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