V.27 No.49 | 12/6/2018
Maria By Callas
“Temperamental” diva defends her controversial life in deeply personal documentary
Maria By Callas attempts to illuminate the singer’s controversial life and career, relying entirely on the words of the diva herself to set the stage.
V.27 No.48 | 11/29/2018
Meow Wolf: Origin Story
Radical New Mexico art collective goes to the movies
New Mexico’s homegrown success story, the radical arts collective known as Meow Wolf, continues its rocket ship ride to intergalactic success with a documentary feature chronicling the group’s circuitous rise to fame.
V.27 No.47 | 11/22/2018
Slow-to-ignite South Korean thriller requires patience
Burning is like a hard-boiled egg that takes two hours to crack. When it does, spilling its messy secrets, it’s a doozy.
Feature: Film Guide
Holiday Film Guide 2018
Superheroes, zombies, queens, jungle boys, drug mules, magical nannies, robots, detectives and Supreme Court Justices!
The Thanksgiving-to-Christmas movie season is a brief but intense one, stuffing stockings full-to-bursting with big budget sequels, musicals, sci-fi epics, Oscar-bait dramas and the occasional cheapjack horror flick. What should you be spending your hard-earned ticket money on this year?
V.27 No.46 | 11/15/2018
Dr. Seuss’ The Grinch
You’re a mediocre one, Mr. Grinch
With nothing fresh or original or particularly clever to add to what already exists, Dr. Seuss’ The Grinch is like that Christmas sweater you get every year from your aunt.
V.27 No.45 | 11/8/2018
Can You Ever Forgive Me?
F is for Fraudulence
When you look at it in a certain light, all authors are liars, but there’s also something rebellious and cheeky about it and it’s this morally ambiguous middle-ground that Can You Ever Forgive Me? finds so fertile.
V.27 No.44 | 11/1/2018
Remake of cult horror classic engages in mesmerizing, confounding dance of death
Luca Guadagnino's Suspiria remake is ravishing, challenging, dark, erotic, gruesome, punishing and pretentious all at once—the sort of film that neatly divides audiences into “didn’t get it” and “gotta see it again to figure it all out” camps.
V.27 No.43 | 10/25/2018
Familiar fright film comes out slashing
Halloween has got energy, style, a couple of fresh ideas and a bunch of gruesome murders. It’s good, all right; but it’s not great. Should it be? Does it have to be?
V.27 No.42 | 10/18/2018
Bloody revenge saga is more folk ballad than history lesson
Looked on less as a rigorous historical account and more as a blood-soaked folk tale told around a flickering tavern fireplace, Black ’47 makes for one rousing cinematic yarn.
V.27 No.41 | 10/11/2018
The Old Man & The Gun
Real life bank heist flick gets a senior discount
The Old Man & The Gun is an affable, sedentary tale of a likable old rogue—a sort of Catch Me If You Can for the AARP set—but it’s not the sort of film you can get excited about.
V.27 No.40 | 10/4/2018
A Star is Born
A star is rebooted in familiar musical melodrama
This tale of a faded musical icon who discovers a talented young ingénue, mentors her, falls in love and then becomes despondent when her star eclipses his own is a familiar cliché. Thankfully, the 2018 revamp of the age-old entertainment industry story offers up a respectable number of un-guilty pleasures before succumbing to its manipulative emotions and unabashedly old-fashioned drama.
V.27 No.39 | 9/27/2018
Musical biopic sings a sad, romantic song
Blaze is lovingly handcrafted film that should appeal to those who just like to hear a sad, sad song once in a while.
V.27 No.38 | 9/20/2018
We The Animals
Coming-of-age drama paints impressionistic portrait of preteen life
We the Animals speaks to both the resiliency and the impressionability of youth, with raw performances from the actors and symbol-laden cinematography that weaves a primal world of earth, water, leaves and rain.
V.27 No.37 | 9/13/2018
The family that writes together fights together in A-list acting display
They say that, “behind every great man there is a great woman.” That axiom gets taken apart like a Swiss watch and examined under the loupe in the high-class literary drama/handcrafted Oscar bait The Wife.
V.27 No.36 | 9/6/2018
Teenage girl is having an art attack in theatrical indie
We’re all actors, Madeline's Madeline seems to imply, acting as ourselves.