john dieterich


V.23 No.5 | 1/30/2014

Music

Rooster Roundabout: This week’s music highlights

Folk master Pete Seeger passed away this past Monday at the age of 94. Sources say it was due to natural causes. This is a sad loss for music, but Seeger's legacy will for sure live on … and his songs will always retain the zeal and prosperity he showed while playing. From creating an anthem for civil rights to performing an inaugural show for President Barack Obama, this man was a legacy in his own. And Pete, this one's for you …

Ariel Pink's Haunted Graffiti was introduced by a friend while driving in his car and smoking a joint as the Corpus Christi heat beat down on our bodies from outside half-tinted windows. Those were the days. I immediately liked his lo-fi basement recordings, but never kept up with his later pursuits. And now Pink is teaming up with producer Justin Raisen, and together they are production duo Raw Deal. They've been working with a band called the Garden, based out of California. You can read more about that collaboration at Pitchfork.

Former Burqueño Willis Earl Beal released his second album (Nobody knows.) last year, and while it wasn't a stellar release, it had some good moments. (See “Coming Through,” which features Cat Power.) And now Beal has recorded a third album, titled A Place That Doesn't Exist. It contains more of the lo-fi intonations of his first record, but his voice is always front and center. And what a voice it is. He announced that he'd like to “give it away for free,” but the album hasn't come out. However, you can stream it below!

I'm sure some people are about to shit themselves … or at least fart from excitement. Singer-songwriter Mike Doughty posted some tracks that feature Elliott Smith's vocals (deeming them “new” tracks.) He went on to specify that they are new (or at least unreleased) in that Smith recorded the vocals in 1998, to be “sliced/diced over beats.” You can read more about that and hear the tracks over at A.V. Club.

I'm sure most Burqueños know about Deerhoof, what with band member John Dieterich calling this burg home now. And considering they've been making music since the '90s, it's no wonder they've gained a massive following, if not an adoring fanbase. And after coming out with their 11th record in 2012, the band seems to be riding that engine with some lasting intent, seeing as how they've come out with a music video for album-cut “Flowers.” You can watch that below.

'Til this day, the cover of Eels' Beautiful Freak haunts me. I never bought the album, but seeing it on the shelves at Best Buy when I was in my formative years (you know … between six and nine years old), I always stopped to pick it up. And I always wondered if I'd get the courage to ask my mom to buy it for me. I never did. Instead I saved that courage for Marilyn Manson's Mechanical Animals when I was 10. That was a doozy. I digress … Mark Oliver Everett (the main man behind Eels) has come out with a new track, off The Cautionary Tales of Mark Oliver Everett (which hits stores on April 22). The song (“Agatha Chang”) is a sentimental yet somber tune that I'll gladly add to my collection. You can hear that at Consequence of Sound.

Pixies recently released a brand new collection of material in the form of EP2. And as Alibi writer August March pointed out, the release was kind of underwhelming. But seriously … what can you expect? Kim Deal's not in the band anymore. And you know home-gurl added the most fire to the festivities. But now the band has come out with a video for their track “Magdalena.” You can view that below.

It's no secret that the Russian government has treated the LGBTQ community with the upmost disrespect, if not outright hate. And to bring attention to Russian activists fighting the good fight in support of gay rights, Melissa Etheridge formed a coalition to support them. She also wrote a song, “Uprising of Love,” to coincide with the movement. You can hear that below.

I mentioned a while back that Strokes guitar player Albert Hammond Jr. was coming out with a solo EP (AHJ). Well that collection is out and about, but now Hammond has shared a visual representation for one of the tracks from said release (“Strange Tidings”). You can view that below.

Karen O, frontwoman of art-rockers Yeah Yeah Yeahs, is no stranger to covers. She's tackled “Mammas Don't Let Your Babies Grow Up to Be Cowboys,” made famous by Willie Nelson and Waylon Jennings. She's taken on Led Zeppelin's “Immigrant Song.” And now, she's covering Bob Marley's “I Shot the Sheriff.” She recorded the song with Sam Spiegel (of N.A.S.A.), and it's here for your listening pleasure.

You 'member Sarah McLachlan? You know … the one that founded Lilith Fair and was on that really sad dog commercial that made me cry every time it aired on public access? No? Oh, she's also a singer. Yeah, if you were around in the '90s, you remember her. I had an older sister who had her album Surfacing, so let's just say I remember her well. Aside from that, McLachlan has just signed with Verve and is coming out with a new record (Shine On) on May 6. You can read more about that over at Billboard.

V.22 No.13 | 3/28/2013
Albuquerque Boys Choir (from left) Bethany Delahunt, Christy Cook and Stef Graner

Music

Explore February’s sonic psychogeography

Live music hunter-and-gatherer Mike Smith takes us on a trip through his February adventures in live, local music in this month’s Last Month in Music. Scope related A/V below. I particularly recommend watching Boba & Gobi’s performance of “Klaus Klaus Dr. Meatball Dr. Meatball” featuring A Hawk and a Hacksaw’s Jeremy Barnes and Heather Trost.

V.21 No.27 | 7/5/2012

[click to enlarge]

Flyer on the Wall

Extra

Read about this five-way festo in the Club Calendar write up. Why the dualism? Because this flyer, and another flyer for the show, were the only good ones submitted this week. Nice work, noise people; I hope everyone fully enjoys that which you’ve promoted so artfully. Make more poster art, everyone else. (JCC)

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V.21 No.10 | 3/8/2012
Clockwise from top: John Dieterich, Ed Rodriguez, Satomi Matsuzaki and Greg Saunier
Sarah Cass

Music

Deerhoof tonight

Bay Area avant pop act Deerhoof plays at Sol Santa Fe this evening with Portland’s AU and New Mexico’s own Raven Chacon. Get details and read about the band and its Burque connection here.

Clockwise from top: John Dieterich, Ed Rodriguez, Satomi Matsuzaki and Greg Saunier
Sarah Cass

Spotlight

Language Fails Us

A talk with Deerhoof’s John Dieterich

Deep into a second decade of making music, Deerhoof continues to introduce avant anachronisms to the world of pop music. Ostensibly based in the Bay Area, Deerhoof’s music evokes specific San Francisco sound memories: crashing waves under the Golden Gate; the high-pitched squeal and hiss of the N Judah train; a mission junkie’s shuffle. Straying from the geographic origin that lends an aural palette to its songs, the band is spread throughout the country with drummer Greg Saunier living in New York, singer/bassist Satomi Matsuzaki “floating,” guitarist Ed Rodriguez in Portland and guitarist John Dieterich in Albuquerque.

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