john frusciante


V.23 No.11 | 3/13/2014

Music

Rooster Roundabout: This week’s music highlights

Hip-hop trio De La Soul has decided to celebrate the 25th anniversary of their debut full-length release 3 Feet High and Rising by making their entire music catalog available for free download. How's that for giving it away? And they've also shared a track “Dilla Plugged In,” which was produced by the late J Dilla. The song will be featured on an upcoming mixtape, titled Smell the D.A.I.S.Y. So thank them and get to listening.

I'm gonna do it … I'm just gonna mention it … because I think it'll do me good … it'll do you good … it'll do us both good. Thee Oh Sees have come out with another snippet off their forthcoming record (Drop) in the form of the song “The Lens.” The track, which is a slower number, incorporates strings (which is sort of reminiscent of “So Nice” off their Putrifiers II LP). That's all I'll say. Promise. Oh, you can head over to Pitchfork to give that a listen.

I don't know much about Son Lux. But it's just as well. The reason this particular snippet caught my attention is because the track features Lorde. And just in case you didn't read my “Best Albums of 2013” article, Lorde was on it. I won't repeat myself, but if you haven't listened to Pure Heroine, please do. You won't be disappointed. But now the New Zealand native is featured on a Son Lux remix track, titled “Easy (Switch Screens).” The ditty comes off Son Lux' 4-song EP (Alternate Worlds), which is available online and will be out in physical form on May 27. In the meantime, you can hear the track below.

I shared a track off The Black Lips' upcoming album (Underneath the Rainbow) some time back. Well now the entire album is available for streamage over at Noisey. So go there. Seriously … go there. And while we're on the subject of streaming albums, why don't you also check out Kimono Kult's new EP (Hiding in the Light) over at Consequence of Sound. The band features Omar Rodríguez-López from The Mars Volta and John Frusciante from Red Hot Chili Peppers … in case you were wondering.

Arctic Monkeys are another one of those bands that peaked my interest, but only for a short amount of time. I reviewed Humbug for my college paper, and other than that release, there's not a whole lot in the way of fandom for this listener. Friends have been adamantly recommending them over the years, but like I said, I have music-listening ADD and get bored easily. But after hearing frontman Alex Turner's acceptance speech for winning Best Album at this year's BRIT Awards, I decided to take somewhat of a closer look. And that started this week with their video for the track “Arabella,” off their most recent album AM. You can watch that below. By the way, the video is NSFW-ish.

I'm trying to think of how I can say this without sounding like I mean it … oh well … I hate Linkin Park. Hate 'em. Now, that's a strong word, but in this instance, there really is no substitute. So why even mention them, you might ask. Well, I do respect Jay-Z's work, and apparently their joint album (2004's Collision Course) is getting a reissue for this year's Record Store Day. The album (which I haven't heard) is said to feature Jay-Z's raps mashed with the band's tunes. Someone somewhere must be celebrating in some fashion. Let 'em carry on.

A lot of people think Dandy Warhols and immediately want to associate them with The Brian Jonestown Massacre, what with Ondi Timoner's Dig documentary. And while it sparks arguments over who is the better band, that's beside the point entirely. Each band has their own particular sound, their own aura, so to speak. Regardless, the Warhols went on tour last year to celebrate the 13th anniversary of 2000's Thirteen Tales From Urban Bohemia and are now gearing up to release a live album from the concerts' proceedings. It hits shelves on March 25, but in the meantime, the band has shared a video of them playing a cut from the record (“Godless”). You can watch that below.

I can respect Toadies. Granted, I never delved much into their catalog because a lot of their songs sounded somewhat samey to me. But I always appreciated their aesthetic. And a friend's band in high school used to do a lot of Toadies covers that went well for the teen crowds partaking in Friday night jam sessions at a venue in my hometown. But now the Toadies have come out with a new track, a cover of Pylon's “Stop It,” and the band are also “in the midst of finishing a new album.” You can hear the track and read more about their new stuff over at Billboard.

Sadly, I got into Girls after listening to their second release (Father, Son, Holy Ghost), and we all know what happened after that, right? Well, they broke up. And Christopher Owens later released a solo LP (Lysandre), which was as good as we could have expected. Makes sense considering he was Girls' main songwriter. And now Owens has come out with a new solo track “It Comes Back To You,” which is very much in keeping with the soulful, rock-ballad aesthetics that Girls strived for on their second album. Supposedly it comes off of an upcoming LP, but no details on that at the moment. You can hear the track below.

It it common for a band to release an album, and then come out with another one mere months later? Is this not the definition of prolific? Well rock group Guided By Voices must have an insane backlog of material if they're coming out with an entirely new LP (Cool Planet) in a couple months (May 13). I mean they literally just released Motivational Jumpsuit not even a month ago. And to prove that they've got new stuff brewing, they're previewing a track off the forthcoming record (“Bad Love is Easy to Do”), and you can take a listen below.

V.23 No.3 | 1/16/2014

My first introduction to YACHT was when a friend played their song “The Afterlife” in his car. I liked the dark, '80s vibe emanating from his speakers, and the lyrics immediately grabbed me, what with singer Claire L. Evans deadpanning “We know how to make life go on.” Their show at Emo's in Austin, Texas was a pretty dynamic affair. People danced whether they wanted to or not. Now the band has shared a new single, “Plastic Soul,” and an accompanying video. You can watch that below.

I know … I know … It must get tiresome with all this love in the air and Valentine's day looming ahead like an unstoppable force coming to claim your hard-earned cash and whatnot. But the Sweetheart compilation I've been plugging for the past few weeks (posting tracks by Beck and Jim James) has shared a new track. This time it's Fiona Apple and her cabaret-singing sister Maude Maggart singing Anton Karas' “I'm in the Middle of a Riddle.” You can check that out at the Wall Street Journal. PS: You can also hear Ben Harper covering Mazzy Star for this compilation over at Consequence of Sound. And the compilation is out on Feb. 4.

While I've already ruminated over the music of the hit HBO series “Girls,” it's always nice when the good music keeps a-flowin'. And now we've got a new track by Jenny Lewis, titled “Completely Not Me.” The song was produced by Vampire Weekend's Rostam Batmanglij, which I'm assuming is supposed to be impressive. But you can hear the track below, and check out the Girls Volume 2: All Adventurous Women Do… over at Entertainment Weekly.

I've always appreciated Kevin Drew's atmospheric musicality in Broken Social Scene. I never really followed his solo work, but I guess it's better late than never. Now Drew is coming out with a new record (titled Darlings), slated to hit stores on March 18. And he's shared a track off said album (“Good Sex”), which you can listen to below.

While it's probably completely out of left field, Led Zeppelin themselves always had sort of an unpredictably whimsical quality about them. I mean, come on … they made medieval stories sound ridiculously cool. Regardless, John Paul Jones has teamed up with electronic artist Deathprod, and together they are Minibus Pimps. You can read more about 'em over at Pitchfork.

A friend first introduced me to Neutral Milk Hotel my sophomore year of high school, and (no joke!) my life was changed. I understood what it meant to make music an actual art form. Poetry and rock and roll had melted together into these seamless barrage of sound, all of it surrounding Jeff Mangum and his vibrant guitar. And now (after never thinking it was possible), I'll get to see them live because the band has added some more dates to their tour, and they'll be stopping at Albuquerque's Kiva Auditorium on April 17. Tickets went on sale this morning, so go get 'em before they sell out (if they haven't already). You can also hear my all-time favorite NMH track (“Two Headed Boy, Pt. 2) below.

Alibi Managing Editor and Music Editor Samantha Anne Carrillo covered Syracuse punk outfit Perfect Pussy in one of her Four Up's and noted how Captured Tracks had enough confidence in the band to sign them … Well, you can see why with their track “Driver” off their upcoming full-length debut (Say Yes To Love), which hits online and physical stores on March 18. It looks like the noise is headed our way.

Let those withering clouds part and the sonic sun descend upon the masses. It's been “confirmed” that Jack White and Neil Young have recorded an album of covers (apparently with Jack White handling production duties). According to music journalist Michael Goldberg, a source close to the project has confirmed it, but you know how that stuff goes. I say speculation until a physical copy is in my hands. It looks like I need to hit up Third Man Records for an advanced copy, what what!

For the past few weeks, music blogs have been abuzz over the long-lost Johnny Cash album (Out Among the Stars), which was recorded in the early '80s. The record will get a proper release, thanks to his son John Carter Cash. And now Cash's son has picked the album's lead single (“She Used to Love Me a Lot”). The album hits the music-sphere on March 25, but you can hear the aforementioned track below.

I've mentioned before that I like Ty Segall. I like his thrashy, disgusting, melted face approach to garage rock. It's supposed to be that way. And now his side project FUZZ has released a cover of The Kinks' track “Till The End Of The Day.” You can hear that below.

I don't know what it is with me and losing interest after a band's first album. It's a curse. That's how it went with The Mars Volta. De-Loused in the Comatorium was a fantastic album that highlighted my sophomore year of high school. (Or was it junior year?) Either way, now former member Omar Rodríguez-López and former Red Hot Chili Peppers member John Frusciante have started a new collaboration. The project is called Kimono Kult, and they're fixing to release a debut EP (Hiding in the Light) on March 4. But you can hear a new track from this group over at Rolling Stone.

It's always exciting when two powerhouse divas get together for a collaboration. (Britney and Madonna, anyone?) So I'm sure Shakira's collaboration with Rihanna will be no different. And the thing about Shakira (besides her being this pop sensation) was that she used to be this cool, alternative, Latin musician. Check out Dónde Están Los Ladrones? or her MTV Unplugged version of “Ciega, Sordomuda” if you don't believe me. That album is fantastic. Either way, I'm sure most people will go nuts over this track, so here's “Can't Remember to Forget You.”

V.22 No.35 | 8/29/2013

Music

Rooster Roundabout: This week’s music highlights

For those of you who are wondering whether ‘N SYNC will reunite at the VMAs this weekend ... here’s what Joey Fatone has to say about it.

In case you're still keeping tabs on Nine Inch Nails (I stopped around The Downward Spiral), Trent Reznor shared a couple new songs from Hesitation Marks (out Sept. 3). One song is titled “Everything,” which is streaming at NPR. Newer track, “Find My Way,” you can hear below via Zane Lowe’s BBC radio show:

Jack White, Marcus Mumford, Joan Baez and The Avett Brothers are just some of the acts scheduled to perform at the benefit show on Sept. 29 for the Coen brothers' upcoming film, Inside Llewyn Davis.

Remember John Frusciante? The guitarist who left Red Hot Chili Peppers and disappeared to the nether-sphere? Well, he's back. And instead of returning to rock n' roll, he's back with some “Progressive Synth Pop.”

Lady Gaga shared the music video for the track, “Applause,” the first single from her upcoming album, ARTPOP, thus confirming that if you put a woman in skimpy outfits with dramatic lighting, she'll believe she's an artist. Where's the challenge? Oh, and the album hits stores on Nov. 11.

Let me just say that I never really got Grimes. I guess her brand of electro-pop just went over my head. But people seem to like her. So much so that it's been confirmed she'll be cohost MTV Style's Red Carpet Report, along with designer Rachel Antonoff.

Strokes guitarist Albert Hammond, Jr. is coming out with a solo EP, titled AHJ, via Julian Casablancas' Cult Records. The EP is set to hit stores on Oct. 8.

Former Burqueño Willis Earl Beal, whose new record, Nobody knows., comes out on Sept. 10, can also add actor to his résumé. Beal is set to star in a film titled Memphis, which was written and directed by Tim Sutton.

So Dan, was it really hard to give up Bob Dylan's hair?

I came across this nice little write-up by Sam Hockley-Smith for Stereogum, wherein he sentimentalizes Modest Mouse's The Lonesome Crowded West. It's an oldie but goodie.

Just in case you wanted to see Nirvana's original record contract with Sub-Pop.

M.I.A. released a new track, titled “Unbreak My Mixtape.” Not quite sure if this song is from her upcoming album, Matangi, which her label states is scheduled for a Nov. 5 release. The song samples Blur's “Tender” and Karen Dalton's “I Love You More Than Words Can Say.”

The Alibi recently reviewed Belle and Sebastian's The Third Eye Centre, a collection of rarities, remixes, etc., and now you can stream it via The Guardian.