michael henningsen


V.27 No.21 | 5/24/2018
Michael Henningsen
Weekly Alibi

Editorial

We Are Such Stuff

These our actors, as I foretold you, were all spirits

In memory of Michael Henningson, August March tells of the values and strategies he learned from him, his legacy in the community and the future.
V.23 No.25 | 6/19/2014
Michael Henningsen circa Bad Touch Uncle
Fran Hopper

In Memoriam

Hennyfest

Wherein Alibi publisher Carl Petersen waxes nostalgic about beloved Alibi alum and musician Michael Henningsen in preview of a sonic celebration of his life.
View in Alibi calendar calendar
V.23 No.23 | 6/5/2014
Michael Henningsen in the early aughts
Christopher Johnson

Letters

Wherein the readers write about dearly departed Alibi alum Michael Henningsen and the importance of the Democratic gubernatorial candidate outcome in the primary election.
V.19 No.50 | 12/16/2010

Coffin Break

In Live Concert at the Royal Albert Hall ()

Opeth rules. This is not a matter of opinion. Metal fan or not, you have to give it up for any band that has covered as much ground, with as much bold artistry and attention to detail, as this Swedish quintet without coming out the other end sounding like Sun Ra or Throbbing Gristle (no offense to either and props to both, by the way). Considering that Opeth has continually pushed the proverbial envelope despite ongoing major roster changes commands even deeper reverence.

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V.19 No.47 | 11/25/2010

Song Roulette

Michael Henningsen phucking hates Phish

Michael Henningsen has played in many a band—Bad Touch Uncle, The Strawberry Zots, Young Edward. He now plays in the David Kurtz Band, and will soon reunite with the Ant Farmers for a reunion show at Low Spirits on Dec. 4. Henningsen was also the Alibi’s editor-in-chief and music editor for a million years. As of this month, he’s back writing about scary black metal in a column called Coffin Break (see the second edition in this week’s issue). Below are random selections from his music collection.

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