the black keys


V.23 No.17 | 4/24/2014

Music

Rooster Roundabout: This week’s music highlights

Yup, watching Belle and Sebastian cover Journey's “Don't Stop Believin'” for a group of kids at Children's Healthcare of Atlanta might be the cutest thing in music this week. You can check that out below, but you might need to have a tissue handy.

A few weeks ago, I posted a track from Buzz Osborne's upcoming solo acoustic album This Machine Kills Artists. And now King Buzzo has posted another snippet from that forthcoming record, which, despite being acoustic, is pretty heavy and dark. But that's a good thing. You can hear his new song (“Drunken Baby”) by heading over to A.V. Club.

For those of you that think Lana Del Rey is all that and a bag of stale potato chips, the moment you've waited for is finally here. The singer-songwriter has come out with the first track from her upcoming sophomore LP Ultraviolence. Some blogs have already touted the tune as the “song of the summer.” Getting ahead of yourselves much? But I'll let y'all be the judge of that. You can listen to “West Coast” below.

I guess it’s only appropriate that I mention tomorrow is Record Store Day. Not only is it a way to promote shopping at your local record stores, it opens your horizons to new and exciting music emerging from the depths of post-Top 40-whatever. Meh ... political correctness aside, I’m not much of a fan of Record Store Day. Most record stores don’t carry the releases the peak my interests, and sometimes it makes me wonder whether it’s a trick to get you into the stores in the first place. Regardless, you’ll probably see me at Mecca tomorrow. But you can read Pitchfork’s top Record Store Day Releases by clicking here.

Hmmm... trippy sound effects, a slick guitar riff quietly sneaking around the bush and lush vocals … The Black Keys' new tune (the title track from their forthcoming Turn Blue) isn't half bad. I just may be tricked into hearing more. Could this be a change of heart or a momentary lapse of judgment? I don't know, but it's one good ditty. I'm impressed, Keys. The tune should tide fans over till May 13, when the album hits stores. Preach on!

I'll admit that the only reason I decided to write about this follow-up item is because Kelley Deal is involved. Sure, everyone knows about her sister Kim (Pixies, Breeders, Amps, etc.), but Kelley Deal is a good songwriter in her own right. Check out The Kelley Deal 6000 if you haven't yet. Now Deal is featured on a track by Motel Beds (“Tropics in The Sand”). It's supposed to be on a split 7-inch that'll be out on Record Store Day, but you can hear the track over at Stereogum if you don't plan on participating. Cause why would you do that anyways?

The only stuff I've heard from The Pains of Being Pure at Heart were tracks on a compilation album I got for free at Austin City Limits. And I don't even remember the names of the songs; that's how out of touch I am. But they've shared a new track via SoundCloud, and if I can describe it in one word: cute. It doesn't hit hard like Bass Drum of Death, but it's not overtly twee like She & Him. It holds a nice place in the middle. Let's call it cute without the “e.” Wait, that spells “cut.” That doesn't work. Just listen to the damn thing.

Well this just seems to be a good week for streaming albums in full ahead of their release dates. You can head over to NPR to listen to Kelis' new record Food. And you can head over to The New York Times to listen to Eels' The Cautionary Tales of Mark Oliver Everett. And then head over to Consequence of Sound to listen to Nas' Illmatic XX reissue. Thank your kind publications for letting you get a sneak peak before you go purchase these albums … assuming you will actually purchase them.

If you ever wanted to see Josh Homme of Queens of the Stone Age play a disappointing gay man … here's your chance.

V.23 No.8 | 2/20/2014

So … Katy Perry has come out with a music video for her track “Dark Horse.” And let me just preface it by saying that this seems like her attempt at channeling Liz Taylor's take on Cleopatra, but like most current notions that attempt to pay homage to classic ideas, it falls flat. Regardless, Perry fans will go nuts over its ridiculousness. But you don't gotta listen to me, you can watch it below and see for yourself.

I'm a thrash novice … maybe a hardcore one, too. Still, I can appreciate a bunch of guys coming together to whale on some instruments, create new tunes and just do what they do the only way they know how … by laying on the heavy. So it's kind of cool that Dave Grohl's joined with some hardcore veterans to create a new group called Teenage Time Killer. The group also includes Corrosion Of Conformity’s Mike Dean and Reed Mullin, former Dead Kennedys frontman Jello Biafra and much more. You can read more about it at Stereogum.

In 2009, when I first started learning to play the guitar, an acquaintance (who'd played in several bands and was pretty much a guitar virtuoso) was teaching me some basic chords when we had a conversation about guitarists. Naturally I expressed my love of Jimmy Page and Hendrix, and then he asked, “Have you ever listened to Rodrigo y Gabriela?” I hadn't. And though I only know a handful of their songs, their mastery of this instrument is friggin bonkers. It's so easy to get lost in their music because it's manic, precise and brilliant. And now the duo have shared a track from their forthcoming album 9 Dead Alive (out April 29), and you can hear that below.

If you were born in the late '80s, like I was, then you had the privilege to come of age when '90s alternative was peaking in a great way. Looking back, you can think what you will, but back then Vertical Horizon's “Everything You Want” was one of my favorite songs, and just for nostalgia's sake, I still dip into Third Eye Blind's first record. And when listening to Cheap Girls' latest song, I was overcome with that pop-rock liveliness that was prominent in such bands as Everclear and (sometimes) The Wallflowers. Cheap Girls' tune comes off their forthcoming record Famous Graves (out May 13), and you can hear that over at A.V. Club.

When it comes to record labels, I've always appreciated the work put out by Sub Pop. From obsessing over releases by Nirvana, L7, King Tuff, Cocorosie, Red House Painters, etc., it's always a treat to hear new(er) bands that are signed to the label, groups that record and distribute good tracks for wanting listeners. I digress … rock band Dum Dum Girls (another Sup Pop contemporary) has come out with a video for the song “Too True to Be Good.” And you can view that visual snippet below.

I like Pharrell. I like his radio hits, but hey, what do you think makes people buy albums, eh? So I'm not especially excited, nor am I too keen on ignoring the news that he's coming out with a new record, titled G I R L. The album is also said to feature the single “Happy,” which earned Pharrell an Oscar nomination for being on the Despicable Me 2 soundtrack. You can head over to Pitchfork to read more about the record, and you can also watch the 24-hour “Happy” video here. How's that for comin' out with a bizzang?

If former Burqueño Willis Earl Beal had founded an actual cult, under the moniker The Church of Nobody … in the New Mexico desert … and recruited Mischa Barton … and soundtracked it with his excellent song “Coming Through,” which features Cat Power … the below video would have been the only remains of said religion. And it's weird shit. The song itself starts a little after the 7-minute mark.

I promise—this will be the last time I mention St. Vincent's upcoming self-titled LP, which hits stores and online markets next week. The record is now streaming over at The Guardian, and it's phenomenal. I think I'm gonna buy it.

Bob Casale, one of the founding members of new wave band Devo (known for their famous hit “Whip It”), passed away this week. He was 61 years old. Granted, I wasn't that big of a Devo fan, it's always sad to see a musician called home. RIP Bob. And for old time's sake …

I go back and forth about Lana Del Rey. While some of her songs strike a chord, I usually can't get past her bad lyrics: “I'm your national anthem, God you're so handsome.” But I understand why her sound/look appeals to people who are always looking for something vaguely different in the pop world. But now, fans can look forward to her collaboration with Dan Auerbach (of the overrated Black Keys). Supposedly, he's lending a hand on her upcoming album Ultraviolence, and you can read more about that here.

V.22 No.8 | 2/21/2013
Jeff Drew jeffdrewpictures.com

Music

Cover me

My obsessive-compulsive aural tendencies have undoubtedly been noted by careful—and dare I say, patient—readers who’ve been inundated with Halloween, Xmas, Valentine’s Day and themed playlists of all demoninations during my brief tenure. And now ... cover songs. Whether you love ‘em or hate ‘em, they’ve been around forever and appear to be here to stay. Nihil novi sub sole, eh? Refresh your cover memory with this week’s music feature, The Art of the Cover Song. Below, listen to a playlist of covers created by New Mexicans like Veery (Jessica Billey), Mama Coma (Marisa Demarco), The Rondelles, Steve Hammond, Cobra//group, Treadmill, Mistletoe, The Handsome Family, The Rivet Gang, Ant Farmers, Knife City, The Morticians, Sad Baby Wolf and Strawberry Zots.

V.21 No.25 | 6/21/2012

Song Roulette

Guitarist and vocalist Felix Peralta is releasing a new album—Ocho—with his band, Felix y los Gatos. We asked the multigenre-influenced musician to give his catalog of songs a spin. Here are the random results.

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