Alibi V.13 No.13 • March 25-31, 2004 

Music to Your Ears

The Eyeliners are back on the radar this week, and are pleased to announce plans for a new record in the near future. The prolific punk rock trio were recently approached by Joan Jett and Joan Jett and the Blackhearts producer Kenny Laguna about working together on a new album to be released on Jett's Blackheart Records. The Eyeliners will begin recording next month in New York City. Eyeliners bassist Lisa says the band have 14 new songs ready to go that are far better than anything they've done in the past, saying, “We have grown so much as musicians in the time since Sealed With A Kiss was released and we intentionally spent a lot of time writing this record. We have never had the extravagance of spending this much time in the studio, so [we] promise that this album will be well worth the wait.” ... Local Top 40 cover band Wyld Country will give a free concert on Saturday, March 27, at Camel Rock Casino (10 minutes north of Santa Fe) at 9:30 p.m. in the Rock Showroom in case you get sick of losing at the roulette table. ... Violinist Willy Sucre and a few of his musical pals will perform once again for the Placitas Artists Series on March 28, at Las Placitas Presbyterian Church at 3 p.m. The quartet will perform works by Copland, Steinbach and Brahms. Tickets are $15. Call 867-8080 or visit www.PlacitasArts.org for more information.

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Blue Note

The Roswell Rudd-Duck Baker Duo

There's really nothing surprising about Roswell Rudd's latest musical endeavor. To be sure, a duo consisting of trombone and fingerpicked acoustic guitar is an unlikely combination of instruments to say the least. But Rudd, afterall, is considered one of the pioneers of avant-garde and free jazz. Rudd recently questioned in a public letter how a 68-year-old veteran Dixieland player such as himself could still be considered avant-garde. Well, Ros, there ain't too many 68-year-old trombonists tearin' it up on stage with acoustic guitar virtuosos in a free jazz format.

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Music Magnified

Jimmie Vaughan

Wednesday, March 31; El Rey Theater (21 and over, 8 p.m.): Not surprisingly, Jimmie Vaughan has long been overshadowed as a musician by the astonishing six-string prowess of his late younger brother Stevie Ray. But it was the tragic death of Stevie, not that he was a far superior guitarist to Jimmie as many believe, that forever enshrined him as the greatest blues revivalist that ever lived. Fact is, it was Jimmie Vaughan that captivated American audiences in the '70s and '80s with the most original blues sounds since Buddy Guy. It was Jimmie who inspired Stevie Ray to play. See, Jimmie's the roots of it all, widespread popularity notwithstanding.

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Music Magnified

Chris Smither

Thursday, April 1; Macey Center (N.M. Tech Campus, Socorro, all ages, 8 p.m.)/Saturday, April 3; Outpost Performance Space (all ages, 8 p.m.): Chris Smither always manages to sound real on his records. Like he's living the songs he sings every day. In a sense, that's exactly what the 50-year-old acoustic bluesman is doing—living the very truths he sets to music. Smither's childhood wasn't unpleasant, but it wasn't stable either. His parents, university professors, moved the family from Miami to Ecuador to Texas to New Orleans to Paris back to New Orleans, all by the time Smither was 13 years old and already fascinated by music.

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Sonic Reducer

The Foxx The Foxx (self-released)

The Foxx guitarist/vocalist Juliet Legend has found her niche. After several recordings and tours with the Rondelles, she's proceeded to co-front a band that perfectly blends campy '60s pop and the kind of trashy '70s glam rock that exploded out of Alice Cooper and the New York Dolls. Garage guitars and a strict Romantics groove lend themselves perfectly to dual, male/female vocals and syrupy-but-sincere lyrics, mostly about the boy-girl stuff that makes the world go 'round. "Ready to Go" is a hit waiting to happen, and my current favorite song, period. The next band signed out of Albuquerque? Very likely.

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Image courtesy of the artist

EVENT HORIZON ()

Queen of the Reich

Queensrÿche • progressive metal • Fates Warning

Queensrÿche and Fates Warning are widely considered titans of the progressive rock world. As part of a metal monarchy, both bands are known for the intricate musical tapestries they weave with odd time signatures, multi-octave ranges and concept albums featuring complex lyrical themes. You can ride this heavy comet at the Historic El Rey Theater this Saturday night, March 23, when 'Rÿche and Fates hold court. The doors open at 7pm, show at 8. Tickets are $25 in advance. This is an all-ages show. Bring the heirs of your empire for a history lesson about a time when Vikings ruled the world and metal was melodic.
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Photo of Di'Lovely courtesy of Vixen Photo

EVENT HORIZON ()

Spring and Sex are in the Air

The Whiskey Sister Present Flora, Fauna and F*ckery • Mayo Lua de Frenchie • Di' Lovely • Delta Rae Dixon • burlesque, comedy, variety

The Whiskey Sisters are back for their quarterly show for spring, bringing more newcomers to Albuquerque and to the Sister stage. In their 50/50 burlesque and variety show, the only Sunday show of the year on March 24 brings headliner Di'Lovely of San Diego, who has competed for the prestigious title of Reigning Queen of Burlesque multiple times at the Burlesque Hall of Fame in Las Vegas. Appearing in Albuquerque for the first time is classic burlesquer and featured performer, Delta Rae Dixon from Salt Lake City. Flora, Fauna and F*ckery also brings the magic of Bryan Lambe, the comedy and b-boy stylings of Zach Abeyta, vocal talents of Judith Mondragon, drag from Tomahawk Martini and all the A-list local burlesque you can drool over. Host Jessica Stone DeLorean takes you on a wild and colorful ride with doors at 7pm, the show at 8 and a cost of $12 for a 21 and over crowd. Go forth and enjoy the f*ckery.
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Image by Victor Barajas, courtesy Bloodshot Records

EVENT HORIZON ()

This Train is Bound for Glory

Wayne Hancock • country, Western, blues

Ameripolitan—or juke joint-swing as the genre is known by some Tejanos—advocate extraordinaire Wayne Hancock descends loudly and lovingly onto the stage at Inside Out on Tuesday, March 26. Wayne “The Train” Hancock has been startling audiences, beating up boots and brandishing a guitar since he was a young one; his affinity for finding, deconstructing and then delivering honestly raw and rambunctious roots music is without equal in the land of hillbilly-backed, Grand Ole Opry-certified swinging sounds. As the artist himself puts it, “Man, I'm like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That's me.” Entrance to this rodeo-like environment of sights and sounds will run typical 21+ listeners $12 in advance and $15 at the door; the curtain rises on America's representative at 9pm. It'll be better than season one of “Hee-Haw!”
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