Alibi V.14 No.9 • March 3-9, 2005 

Music to Your Ears

Despite having the worst local band name since Tacos with Heidi, Las Cruces groove-metal quartet, New Mexican Erection, have just released their second skull-shattering full-length, titled Codependent (Nasty Cactus Music), and are gearing up to hit the road on an extended tour. For dates, where to buy the CD and other good stuff, visit NME on the web at www.newmexicanerection.com or www.nastycactusmusic.com. ... Local bandguy/music supporter and, for the past four years, webmaster of RockSquawk.com Dandee Fleming has announced that he's shutting his site down as of March 22. Fleming cites a busy schedule as the main reason behind his decision. Over the years, RockSquawk.com provided local musicians with a virtual meeting place where they could post upcoming shows, air dirty laundry, review shows, sell and buy gear, search for band members and discuss freely the ins and outs of the local scene. Fleming did a more than admirable job of attempting to keep the site positive and useful, and you should thank him and buy him lots of drinks the next time you see him. At press time, the site appears to be frozen, but it could just be my stupid computer fucking with me.

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Blue Note

Spring Forward

Outpost Productions Kicks Off Its Spring 2005 Season New Orleans-style

What better way to kick off another potentially physically debilitating allergy season in Albuquerque than with an evening of jazz originating in and inspired by the Crescent City? Officially opening the Outpost's 2005 Spring Season, New Orleans-based musicians Tom McDermott and Evan Christopher are happy and more than capable to oblige.

McDermott is a breathtaking pianist who emerged on the front-end of the Scott Joplin revival, and cites New Orleans pianists James Booker, Professor Longhair and Dr. John as musical influences strong enough to inspire a move from his native St. Louis in the early '80s. Since then, he's explored the Louisiana piano tradition on a handful of records that bear his name, as well as through live performance.

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Sonic Reducer

Adrian Belew Side One (Sanctuary)

Kentucky-born guitarist Adrian Belew has played with just about every progressive and avant garde rock troupe that's mattered—Zappa, middle-era Bowie, King Crimson, Projekt, Talking Heads, Tom Tom Club and so on—while releasing a steady stream of solo albums, and lending his guitar work to various projects floating just under mainstream radar. Frankly, he's made some pretty annoying music along the way. But Side One, rumored to be the first part of a trilogy, is among the least grating of his solo works. It's still pretty out there, as expected, but it's of keen interest once past the bravado.

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Image via Pixabay

EVENT HORIZON ()

The Ship is Dockin', Interlockin'

17th Annual Breakin' Hearts • Shuga Shane • Element • Knucklehead Zoo • Randy Boogie • Foundations of Freedom • Chief Rocekrz • BZ Beatz • hip-hop

Education, competition and reflection are the themes of the 17th annual Breakin' Hearts Festival, a four day hip-hop party right here in Albuquerque. Featuring regionally known artists, advocates and other interested parties, the main event for this spectacular get down is going down on Saturday, Feb. 23 at the Historic El Rey Theater from noon until 10pm. Preceded by nightly dances and educational opportunities galore, Saturday night's event is hosted by Shuga Shane UHF/XFRX and Speed One and features the renowned DJs Element, Randy B and BZ Beats. Besides Beatbox and breakin' battles, a freestyle dance competition and a Blackbook contest, with performances by Def-i, LETSJUSB, Gravity, Jessica Lopez and Carlos Contreras. All-ages are welcome at this event—it's $20 at the door and $15 in advance from Vibes Dance Studio. Get your body movin' today before that sauce recipe disappears into the vault again.
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Image courtesy of the artist

EVENT HORIZON ()

Slide That Chord, Dude!

Roosevelt Collier • pedal steel

AMP Concerts presents a concert by pedal steel guitarist Roosevelt Collier at The Cooperage on Sunday, Feb. 24 at 7:30pm. Collier is considered the master of a traditional approach to an instrument that's become familiar to American ears through every sorta sound from straight Country and Western to rocanrol and even indie bands. The artist's slide-style playing is lightning fast and gorgeously executed with a twang and twist. He's jammed with the Allman Brothers, Los Lobos and Tedeschi-Trucks; his latest recording was produced by by Michael League, one of David Crosby's current collaborators. In summary, this show is going to rock out, so be there. Tickets are only $17 in advance and $22 the day of the show. It's an intimate venue replete with meat and cocktails—which means this is a 21+ gig—and you are guaranteed to walk away with a shiny spot in your head that will only disappear with repeated exposure to songs like “Far Away Eyes.”
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