Spring Crawl is set for Saturday, April 28, this year. That's three and a half months from now, but I started getting calls from bands asking how they can get on the bill back in October. So, while I truly admire your forethought and tenacity, for the millionth time, don't send me or anyone at the Alibi your demo. Here's Crawl coordinator Joe Anderson on what really works:
Imagine a metal band at a house party. On ripped-up sofas, overturned chairs, and a floor littered with empty cans and bottles, a crowd moshes wildly as the band trashes its way through the set. A glass vase falls from the shelf, shattering on the tile floor and bringing the party to a halt. The moshers disappear, the sofas are repaired, the cans and bottles are (mostly) gone, but the band remains.
Who is manning the woodblock on 13 Blackbirds? I can get next to soupy folk ambience, super-blended vocals, even a mellow pace. But there is some woodblock-sounding thing (Or alternately, some other awkward percussion instrument. Is that a triangle?) plinking away in the foreground of a bunch of tracks. I zero in. I tap along. I jam ... with the woodblock. All the careful atmosphere falls away, and it's time for "The Woodblock Hour" with Woody and his Syncopated Block Boys. 13 Lotus, a second disc that remixes a song titled “Lotus,” replaces the woodblock with decent electronic work that provides a nice, unexpected contrast to the folksiness of it all.
Ameripolitan—or juke joint-swing as the genre is known by some Tejanos—advocate extraordinaire Wayne Hancock descends loudly and lovingly onto the stage at Inside Out on Tuesday, March 26. Wayne “The Train” Hancock has been startling audiences, beating up boots and brandishing a guitar since he was a young one; his affinity for finding, deconstructing and then delivering honestly raw and rambunctious roots music is without equal in the land of hillbilly-backed, Grand Ole Opry-certified swinging sounds. As the artist himself puts it, “Man, I'm like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That's me.” Entrance to this rodeo-like environment of sights and sounds will run typical 21+ listeners $12 in advance and $15 at the door; the curtain rises on America's representative at 9pm. It'll be better than season one of “Hee-Haw!”
Weekly Alibi's Best of Burque Music Showcase • Pope Yesyesyall • Prism Bitch • Sweet Nothin • Shitty and the Terribles • garage, punk • Black Unicorn • surf rock, heavy metal
By Mayo Lua de Frenchie
The scene has spoken and Weekly Alibi has winners and favorites for yet another year. The Best of Burque Music Showcase descends on downtown Albuquerque at all the raucous spots the city is known for, including Sister, Side Effex, KiMo Theatre, The Jam Spot, Corpus Arts and Launchpad. The free pre-party kicks off from 2 to 6pm at Inside Out, formerly Mezcal. The official launch of the showcase at all the other venues begins with doors at 7pm and music at 8pm. Jam out to bands and musical artists for every taste from Prism B*tch to Sweet Nothin, Pope Yesyesyall to Baracutanga and Tylor Brandon to The Riddims. Pre-sale wristbands and the cost for individual venues is $10 and wristbands are $15 on the night of the show. These events are 21+ only.