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 Mar 22 - 28, 2007 

Music to Your Ears

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A Gingerbread Homecoming—It's been less than a year since the Gingerbread Patriots dusted our desert from their keyboards and moved to Portland, Ore. But since they're so gosh darn sentimental, they couldn't stay away for long. Bless their little indie-pop hearts.


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Flyer on the Wall

Play Nice

Some of the fine print says: "That's right. RollerCon, the international all-female roller derby convention, is looking for certified EMTs to volunteer their time and talents this summer, Aug. 8-12, in fabulous Las Vegas, Nev.!" Perks include undying gratitude and a nice little vacation in Vegas (paid for by you, but nice nonetheless). For more information, e-mail locascdg@yahoo.com. (LM)


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The Ettes

Music Interview

The Ettes

Say "chick rock" and you die

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If there’s one thing The Ettes aren’t, it’s a chick band. While both their lead vocalist and drummer are of the female gender, that doesn’t fit them squarely into the “chick” category, and they’d like you to know it.


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Caleb Miles

Spotlight

Caleb Miles Comes Back

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You would not believe how many bands have named themselves A Murder of Crows. But only one lived in my Walkman throughout early high school until the tape, thin and weary from overplaying, snapped apart one time too many. No amount of scotch tape could aid its redemption. Little did I know this was an early Albuquerque band, around in the late ’80s and early ’90s.


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Sonic Reducer

Black Lips Los Valientes Del Mundo Nuevo · Blue Oyster Cult Spectres · Pela Anytown Graffiti

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In any regular situation, if "live recording" and "garage rock" were uttered in the same sentence, I'd shudder with the conjured mental images of some horrifying Frankenstein made of Kiss and Jet. But this album, released by a fairly reliable label, is an exception. With lo-fi sound quality and elements of psychedelia, it's more like a respectable partnership between The Brian Jonestown Massacre and The Velvet Underground. Except this is Black Lips, who are, to make a metaphor (and as their album art might suggest), more like the comedic flesh-eating plant Audrey Jr. from Little Shop of Horrors, just as we are the Seymours, forced to serve our master.


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The band, as represented by an owl-man and his bunny.

Show Up!

New and Fertile

Young band mines innovation from inexperience

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The guys in The Fertile Crescent don't know they're kind of geniuses. Or maybe they're in disguise as four shy 20-year-olds who mumble a little and say "like" too much. It's almost a shame to let them in on the secret that the music they're making is more innovative and well-constructed than a lot of what's put out by bands who've been on the scene for years and years. Sure hope they won't let it go to their heads.


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Image of Olivia Komahcheet courtesy of the artist

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8 Bits of Fun

8 Bit Psychedelic Folk Fest • David Bridwell • singer-songwriter • Olivia Komacheet • guitar loops • Bud Melvin • 8-bit, banjo • The Gral Brothers • pedal steel

By August March
Whoa. There's going to be a psychedelic folk fest in Burque, dudes, except it's all '80s style complete with an 8-bit musical motif too. Presented by multi-instrumentalist Olivia Komahcheet and also featuring Bud Melvin—a local king of the 8-bit aesthetic—as well as the unique pedal steel and drum chemistry of the Gral Brothers and the humorous, new-pants-wearing humor of singer-songwriter David Bridwell, this singular and sonically challenging event is going down…
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Image courtesy of the artist

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Make a Wish

Sinbad • stand-up comedy

By Joshua Lee
In the '90s there was a rumor that movie star and stand up comedian Sinbad bought an entire windbreaker factory just to appease his signature look. It was also rumored that he could stand in gale force winds without even feeling a breeze. These days, you're less likely to spot him sporting his classic look, but it just goes to show that you don't need a pair of genie pants to be the funniest person in the room. See the legend this Friday, March 22, at Isleta Resort and Casino, and get a powerful dose of comedy pumped straight into your face. The 21 and up show starts at 8pm. Tickets start at $20.
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Image courtesy of the artist

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Queen of the Reich

Queensrÿche • progressive metal • Fates Warning

By Constance Moss
Queensrÿche and Fates Warning are widely considered titans of the progressive rock world. As part of a metal monarchy, both bands are known for the intricate musical tapestries they weave with odd time signatures, multi-octave ranges and concept albums featuring complex lyrical themes. You can ride this heavy comet at the Historic El Rey Theater this Saturday night, March 23, when 'Rÿche and Fates hold court. The doors open at 7pm, show at 8. Tickets are $25 in advance. This is an all-ages show. Bring the heirs of your empire for a history lesson about a time when Vikings ruled the world and metal was melodic.
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Photo of Di'Lovely courtesy of Vixen Photo

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Spring and Sex are in the Air

The Whiskey Sister Present Flora, Fauna and F*ckery • Mayo Lua de Frenchie • Di' Lovely • Delta Rae Dixon • burlesque, comedy, variety

By Mayo Lua de Frenchie
The Whiskey Sisters are back for their quarterly show for spring, bringing more newcomers to Albuquerque and to the Sister stage. In their 50/50 burlesque and variety show, the only Sunday show of the year on March 24 brings headliner Di'Lovely of San Diego, who has competed for the prestigious title of Reigning Queen of Burlesque multiple times at the Burlesque Hall of Fame in Las Vegas. Appearing in Albuquerque for the first time is classic burlesquer and featured performer, Delta Rae Dixon from Salt Lake City. Flora, Fauna and F*ckery also brings the magic of Bryan Lambe, the comedy and b-boy stylings of Zach Abeyta, vocal talents of Judith Mondragon, drag from Tomahawk Martini and all the A-list local burlesque you can drool over. Host Jessica Stone DeLorean takes you on a wild and colorful ride with doors at 7pm, the show at 8 and a cost of $12 for a 21 and over crowd. Go forth and enjoy the f*ckery.
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Image by Victor Barajas, courtesy Bloodshot Records

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This Train is Bound for Glory

Wayne Hancock • country, Western, blues

By August March
Ameripolitan—or juke joint-swing as the genre is known by some Tejanos—advocate extraordinaire Wayne Hancock descends loudly and lovingly onto the stage at Inside Out on Tuesday, March 26. Wayne “The Train” Hancock has been startling audiences, beating up boots and brandishing a guitar since he was a young one; his affinity for finding, deconstructing and then delivering honestly raw and rambunctious roots music is without equal in the land of hillbilly-backed, Grand Ole Opry-certified swinging sounds. As the artist himself puts it, “Man, I'm like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That's me.” Entrance to this rodeo-like environment of sights and sounds will run typical 21+ listeners $12 in advance and $15 at the door; the curtain rises on America's representative at 9pm. It'll be better than season one of “Hee-Haw!”
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