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Prism Bitch

Music Review

Prism Bitch Destroys Sister

Regional rockers from Boise and Santa also kill it

Alibi music correspondent Adam Wood returns for a summer of music!
 Alibi V.18 No.36 • Sept 3-9, 2009 

Music to Your Ears

Monolith Festival, Take Three

Since 2007, the massive team behind Colorado’s Monolith Festival has made magic happen with a two-day odyssey into musical bliss. Hosted at the scenic Red Rocks Amphitheater, the Monolith Festival is quickly becoming the premier festival in the region. Last year saw appearances by Cut Copy, Justice, The Hood Internet, Del tha Funkee Homosapien, Tilly and the Wall, Atmosphere, and Band of Horses. As if those performances weren’t enough, four additional stages were set up throughout the venue to ensure a variety of musical experiences.

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Ween’s Gene (Aaron Freeman) and Dean (Mickey Melchiondo)
Courtesy of Ween

Music Interview

Prozac Enemas

A rare chat with Ween

Despite last year’s joyous release of an incredible live show from 1992 [Live at The Cat’s Cradle, 1992, Chocodog Records], all those early years when Ween consisted of Dean and Gene—two young, talented and hilarious Pennsylvania kids—and a drum machine seem like ancient history. Seeing a Ween show without drummer-extraordinaire Claude Coleman behind the kit has been impossible for the past 15 years, but that could change soon: Rumors have been spreading all over the Internet this summer about Coleman—a multi-instrumentalist who also leads the band Amandla and teaches at the Paul Green School of Rock in NYC—taking a break from Ween to make sense of a life that has perhaps appeared too fast and fun since his near-fatal auto accident. He even confirmed it in a heartfelt statement. However, when asked about Coleman’s departure, Dean Ween (born Mickey Melchiondo) told the Alibi, “Claude is still in the band the last time I checked.” In a follow-up e-mail, Ween’s manager Greg Frey told the Alibi, “Mickey's answer regarding Claude is spot on. Anything else is hearsay.”

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[click to enlarge]

Flyer on the Wall

Swe-Den of Iniquity

It comes from the land of ice and snow, where the chief exports are IKEA and meatballs. Swedish five-piece Enforcer is proud to sport tight leather pants and play speed metal in the style of Iron Maiden. Hear the hammer drop at The Compound (3206 San Mateo NE) on Monday, Sept. 7, with Cauldron (from Canada, eh?) Torture Victim, Dread and Vetalas. 6:30 p.m. All-ages, $8. (Laura Marrich)

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Sonic Reducer

Eyedea & Abilities By The Throat · Mew No More Stories · Amanda Blank I Love You

Incorporating new wave, '80s dance music and Brit-pop into a rap beat is something relatively new. Within that realm, the contributions to hip-hop made by artists like M.I.A. and Santigold are unquestionable. Amanda Blank is cut from the same cloth as these pioneers, but it’s tough to make the case she brings anything new to the hipster-hop genre. Her rapid-fire raps are impressive, and she's got all the swagger a successful MC needs. But I Love You comes off as largely unoriginal and contrived. The Philadelphia-born wordsmith has the talent to branch out and find her own schtick in future offerings.

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Image via Pixabay

EVENT HORIZON ()

Eternal Recurrence

Holly Rebelle's High School Reunion • Tito Bonito • Mr. Valdez • Mustang Monroe • burlesque, boylesque, variety

That nightmare, again: You're in biology class, trying not to nod off while the teacher drones, and suddenly you notice everyone's gaze focus squarely on you. You're naked, it's test day and you forgot to study. But that's not what's freaking you out. No—it's the plastic jelly bracelets, stirrup pants and side ponytails that cause you to sit up in bed, heart thumping like a '90s boom bap beat. This Saturday, May 26, your dreams are becoming a dayglo-blooded reality at Holly Rebelle's High School Reunion: A Burlesque Tribute to the '90s. The dreaded time machine takes off from the Launchpad at 8pm. Admission is $15 for adults over 21 (anyone younger probably wouldn't get it anyway).
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