Alibi V.19 No.8 • Feb 25-March 3, 2010 
The Squash Blossom Boys

Music to Your Ears

Early to Rock, Early to Rise

Remember when you used to go out on the town almost every night of the week, sampling the ripe fruits of your town’s musical loins? Are those days gone, perhaps replaced by the fruit of your own loins and the responsibilities of adulthood? A new concert series unfolding at the Harwood Art Center aims to soothe the sonic aches of parents in this particular predicament.

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[Left to right] Dennis Thomas, George Brown, Robert “Kool” Bell and Ronald Khalis Bell
Silvia Mautner

Spotlight

The Spirit of the Boogie

An interview with Kool of Kool & the Gang

It's a good thing that Mr. Robert "Kool" Bell didn't answer his cell phone when I first tried to call him. Had he picked up, I wouldn't have had the pleasure of hearing his groovy voice mail greeting: "You have reached Kool, and it's kool to leave a message."

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A treasure chest full of Chinese Love Beads
Captain America

Dirt City Archives

¡Un Grito Electrico!

The Chinese Love Beads

Not long ago, the musical road between the ’Burque and El Chuco (that’s El Paso, Texas, to you) was well-traveled. It was easy to find records by Paseños such as Faction X, Not So Happy or Fall On Deaf Ears. Since many Tejano punks were from El Barrio de Ysleta with familia across the border, they also opened that path to exciting Juárez outfits like Setenta Dos Horas. In El Chuco one evening, my greatest regret was having to decline an invitation to a show en otro lado over the Rio Grande. A guero like me couldn’t have asked for a better escort, but being on the New Mexico state payroll I had to work early next morning with a clear head sin crudo.

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[click to enlarge]

Flyer on the Wall

You Git Now, Vince

Soon Albuquerque’s burliest bluegrass band will lose its bass player, Vince Edgerton, to the northerly mecca of Denver. The Porter Draw will continue to perform, but on Saturday, Feb. 27, the bearded ladies gather together for a special final performance with Vince. Blackbird Buvette (509 Central NW) hosts at 10 p.m., and the show is free. (Jessica Cassyle Carr)

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Sonic Reducer

Tobias Gebb & Unit 7 Free at Last · Ben Sollee & Daniel Martin Moore Dear Companion · The Besnard Lakes The Besnard Lakes Are the Roaring Night

Tobias Gebb’s limber drumming and the adept pianism of Eldad Zvulun provide the underpinnings for four different combos (two quintets and two sextets drawn from nine other players) on four Gebb originals and four covers. Things get off and running with Toby Wine’s “Blues for Drazen,” which both altoist Bobby Watson and tenorist Stacy Dillard just nail. Unfortunately, the remaining tracks cannot all sustain that high level. On the upside, Gebb’s ballad “My Love” features sensitive work from tenorist Joel Frahm, who also captures the “out there” feeling on the perky arrangement of The Beatles’ “Tomorrow Never Knows.” On the downside, Gebb’s calypso “Bop Be Dop” never achieves the genre’s centrifugal rhythmic pull, and on “You Don’t Know What Love Is,” Watson’s lovely solo is almost ruined by Gebb’s intrusive castanets. (MM)

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Image courtesy of Epitaph Records

EVENT HORIZON ()

The Descent of Punk: This Age or That

Descendents • Radkey • Hagfish • punk

Now, on the other hand—and as opposed to your parent's music which you claim to have no knowledge of whatsoever—you probably have heard of the Descendents. The quartet from the beautiful yet threatening beach is ripping it up at Sunshine Theater on Friday, Nov. 16 at 8pm. The band claims rights to a lineage of punk rock from the OC and surrounding area that pretty much branched off from hardcore units in the early '90s to produce a more pop-flavored, personally emotional form of the genre. Their brand of music heavily influenced monstrosities like Jimmy Eat World and Blink-182 as well as perhaps birthing the ultimate in abysmal entities, a thing we'll call emo for the sake of convenience. But before they did profound damage to millions of Californios and as-of-then unborn potential rockers, they did produce some pretty epic songs. Besides that, their front man, Milo Auckerman and his compadres, Bill Stevenson, Karl Alvarez and Stephen Egerton are probably responsible for thousands of totally sick skateboarding injuries over the years due to turned out tuneage like “Myage,” “I'm Not a Loser,” “Cameage,” “Uranus” and my all time favorite, “Clean Sheets.” Just 27 bones gets you in to this 13+ gig. Fuck it dude, life's a risk. 
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