A mix of songs with academic themes
Autumn is nigh, and with the turning season come books and classrooms and new ideas and pocket protectors. Much music on the topic of school has to do with the rebellion against it, lust, alienation or nostalgia. Here’s a seasonal mix—most of the rock and roll or punk persuasion (sorry, no Van Halen)—to put you in the mood for education, be your participation willing or begrudging.
Marya Errin Jones
Fundraising for tiny texts at The Projects
Right now tiny periodicals are alive and well, experiencing a renaissance right here in Burque. The zine scene comes into view as the first of five fundraisers for ABQ Zine Fest brings the local culture, its adherents and the fruits of their labor into focus.
Zach Condon leads Beirut deeper into the imaginary country that inspires his refreshingly original music. Malajube resembles beige, overproduced adult contemporary fare. Diamonds & Death—the first release in four years from dance rock duo VHS or Beta—is decidedly more dance and less rock.
Flyer on the Wall
Nude Female Rides Beast
Leeches of Lore kicks off an autumn tour by shredding fiercely at Burt’s Tiki Lounge (313 Gold SW) on Friday, Sept. 2. The Scrams and Skulldron open the free show, which starts around 10 p.m. (Jessica Cassyle Carr)
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.