Alibi V.21 No.9 • March 1-7, 2012 

Spotlight

Jamalski

Joyful Altruistic Metaphysical Ageless Lover Seeks Knowledge Internally

Jamalski is an internationally known MC who helped pioneer the reggae/hip-hop crossover genre both as a member of the Boogie Down Productions crew and as a prolific solo artist with hits such as “Jump, Spread Out.” His accomplished beats cover the gamut of hip-hop and dance styles. As long as it’s an underground scene, Jamalski’s into it. After spending most of the past decade living and playing in Europe, last year Jamalski moved his headquarters back to his hometown, New York City, and has adopted Albuquerque as his secondary base of U.S. operations. The Alibi spoke with him over the phone.

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Micky Patten, Bobby Shew, Cal Haines and Michael Anthony
Victoria Rogers

Jazzed

The Jazz Gospel According to Charlie Christian

Michael Anthony, Bobby Shew and friends celebrate guitarist’s innovations

Using a newfangled contraption, the electric guitar, and a mesmerizing facility for improvisation, Charlie Christian, born in 1916, helped transform the role of the guitar in jazz. The Oklahoma City native first made his mark in the swing era, joining Benny Goodman’s sextet and orchestra in 1939. (As the third black man hired by Goodman, he helped bury bandstand segregation.) He then helped transform jazz itself, collaborating with the likes of Dizzy Gillespie, Charlie Parker and Thelonious Monk as they worked out the rules of a brand-new musical language: bebop. He managed to accomplish all of this in just 25 years, passing away in 1942, a victim of tuberculosis.

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[click to enlarge]

Flyer on the Wall

Beastly

Sult (Norwegian electro acoustic improv), Brachiator (experimental sounds by New Mexico’s Mark Weaver, Ben Wright and Christian Pincock), Alchemical Burn vs. AGL (drone competition) and DJ Caterwaul (vinyl records) constitute a far-out show at Moldspores (923 11th Street NW) on Sunday, March 4, at 7 p.m. Admission is $5 and all ages are welcome. (Jessica Cassyle Carr)

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Image via Pixabay

EVENT HORIZON ()

The Ship is Dockin', Interlockin'

17th Annual Breakin' Hearts • Shuga Shane • Element • Knucklehead Zoo • Randy Boogie • Foundations of Freedom • Chief Rocekrz • BZ Beatz • hip-hop

Education, competition and reflection are the themes of the 17th annual Breakin' Hearts Festival, a four day hip-hop party right here in Albuquerque. Featuring regionally known artists, advocates and other interested parties, the main event for this spectacular get down is going down on Saturday, Feb. 23 at the Historic El Rey Theater from noon until 10pm. Preceded by nightly dances and educational opportunities galore, Saturday night's event is hosted by Shuga Shane UHF/XFRX and Speed One and features the renowned DJs Element, Randy B and BZ Beats. Besides Beatbox and breakin' battles, a freestyle dance competition and a Blackbook contest, with performances by Def-i, LETSJUSB, Gravity, Jessica Lopez and Carlos Contreras. All-ages are welcome at this event—it's $20 at the door and $15 in advance from Vibes Dance Studio. Get your body movin' today before that sauce recipe disappears into the vault again.
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Image courtesy of the artist

EVENT HORIZON ()

Slide That Chord, Dude!

Roosevelt Collier • pedal steel

AMP Concerts presents a concert by pedal steel guitarist Roosevelt Collier at The Cooperage on Sunday, Feb. 24 at 7:30pm. Collier is considered the master of a traditional approach to an instrument that's become familiar to American ears through every sorta sound from straight Country and Western to rocanrol and even indie bands. The artist's slide-style playing is lightning fast and gorgeously executed with a twang and twist. He's jammed with the Allman Brothers, Los Lobos and Tedeschi-Trucks; his latest recording was produced by by Michael League, one of David Crosby's current collaborators. In summary, this show is going to rock out, so be there. Tickets are only $17 in advance and $22 the day of the show. It's an intimate venue replete with meat and cocktails—which means this is a 21+ gig—and you are guaranteed to walk away with a shiny spot in your head that will only disappear with repeated exposure to songs like “Far Away Eyes.”
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