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 Mar 8 - 14, 2012 

Jazzed

A Master’s Voice

Jane Monheit brings “home” to Albuquerque

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If voices could be bought and sold the way that, say, violins are, Jane Monheit’s instrument would likely command a pretty price. Few can match her silky, sensual sonority, which bathes the ears in pure acoustic pleasure. Makes you want to fill up an entire bathtub with that sound and take a full-body soak.


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Clockwise from top: John Dieterich, Ed Rodriguez, Satomi Matsuzaki and Greg Saunier
Sarah Cass

Spotlight

Language Fails Us

A talk with Deerhoof’s John Dieterich

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Deep into a second decade of making music, Deerhoof continues to introduce avant anachronisms to the world of pop music. Ostensibly based in the Bay Area, Deerhoof’s music evokes specific San Francisco sound memories: crashing waves under the Golden Gate; the high-pitched squeal and hiss of the N Judah train; a mission junkie’s shuffle. Straying from the geographic origin that lends an aural palette to its songs, the band is spread throughout the country with drummer Greg Saunier living in New York, singer/bassist Satomi Matsuzaki “floating,” guitarist Ed Rodriguez in Portland and guitarist John Dieterich in Albuquerque.


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Music to Your Ears

We want you to show us photos of your record collections and practice spaces.

Flyer on the Wall

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Before heading to SXSW, local pop rock band Red Light Cameras plays a show with some out-o-towners at Low Spirits (2823 Second Street NW). The lineup includes one-man band Decker, acoustic indie act Dry River Yacht Club (both of Arizona), and indie rockers Brown Shoe (California) and Nick Jaina (Oregon). The 21-and-over show happens on Sunday, March 11, at 8 p.m. Admission is $8. Happy birthday, Chris. (Jessica Cassyle Carr)


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Image courtesy of Epitaph Records

EVENT HORIZON ()

The Descent of Punk: This Age or That

Descendents • Radkey • Hagfish • punk

By August March
Now, on the other hand—and as opposed to your parent's music which you claim to have no knowledge of whatsoever—you probably have heard of the Descendents. The quartet from the beautiful yet threatening beach is ripping it up at Sunshine Theater on Friday, Nov. 16 at 8pm. The band claims rights to a lineage of punk rock from the OC and surrounding area that pretty much branched off from hardcore units in the early '90s to produce a more pop-flavored, personally emotional form of the genre. Their brand of music heavily influenced monstrosities like Jimmy Eat World and Blink-182 as well as perhaps birthing the ultimate in abysmal entities, a thing we'll call emo for the sake of convenience. But before they did profound damage to millions of Californios and as-of-then unborn potential rockers, they did produce some pretty epic songs. Besides that, their front man, Milo Auckerman and his compadres, Bill Stevenson, Karl Alvarez and Stephen Egerton are probably responsible for thousands of totally sick skateboarding injuries over the years due to turned out tuneage like “Myage,” “I'm Not a Loser,” “Cameage,” “Uranus” and my all time favorite, “Clean Sheets.” Just 27 bones gets you in to this 13+ gig. Fuck it dude, life's a risk. 
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